Theory + Criticism

Stuart Walker
Design Criticism
An excerpt from Stuart Walker’s new book Design for Resilience.


Brian Collins, J.A. Ginsburg
Resilient Futures: The Adjacent Possible
We kick the tires on every cutting edge technology. We play, experiment and wrestle with AI, blockchain, and whatever comes next. We ask, “What will we be able to do tomorrow that we cannot do today?”


Brian Collins, J.A. Ginsburg
Resilient Futures: The Challenge
For the last quarter century, design thinking has framed how companies can better understand the process of design and its value. But the methodology has been turned into a commodity.


Cindy Chastain, Jessica Helfand, Ellen McGirt, Lee Moreau
Design Observer x Mastercard
For three days in March, we gathered with some sixty people—designers and scholars, social entrepreneurs and independent consultants, creative leaders and senior practitioners from across a range of industries—to discuss the current state of everything from collaboration and craft to cultural transformation, technological innovation, and the social and systemic changes impacting the ways we live and work.


Sloan Leo, Lee Moreau
The Futures Archive S2E6: The Bug Zapper
On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t always reflect humanity.


Sean Adams
How Design Makes Us Think
An excerpt from Sean Adams’ new book "How Design Makes Us Think".


Jessica Helfand
On Learning
What resonates most unequivocally here is Emerson ’s plea for individuality—that iron string—the sovereignty of selfhood.


Alan Rapp
Personal Space
Robert Sommer’s Personal Space: The Behavioral Basis of Design was published in fifty years ago, and its compact title concept — an invisible but perceptible security zone surrounding an individual — caught on.


Brian LaRossa
Questioning Graphic Design’s Ethicality
If designers take care during client selection, can they evade the type of intense ethical quagmire that’s only resolvable through radical action? Are particular modes of working within the field of design more conducive to sustaining a long term ethical practice?


Steven Heller
Should Designers Be Design Critics? Why Not?
Criticism is not always an attack on someone or something; it is also analysis that includes history, context, and other relevant factors that result in a specific work.


Michael Bierut
Battle Hymn of the Tiger Mentor, Or, Why Modernist Designers Are Superior
Does a strict upbringing make you a better designer?


Jessica Helfand
The Karaoke Effect
The illusory bubble populated by thousands of fame-seekers who fervently believe in their own righteous, if highly fictional talent.


Rick Poynor
Exposure: Untitled Film Still #21 by Cindy Sherman
The photographer as performer


Rick Poynor
Exposure: Brodsky, the Tie Seller in Paris
Every photograph is an enigma


Rob Walker
Object Vs. Object
The Re Made Plunger satirizes the Best Made axe — a great example of object-as-critique.


Alexandra Lange
Criticism = Love
Why you have to love design to be a critic.


Alexandra Lange
Year of the Women
A year-end wrap-up of my favorite stories. The common theme? Women and the making of design.


Rick Poynor
The Writings of William Drenttel
Essays from the Design Observer archive show the wide scope of William Drenttel's interests and concerns.



Rick Poynor
Collage Culture: Nostalgia and Critique
An interview with David Banash, author of Collage Culture: Readymades, Meaning, and the Age of Consumption.


Alexandra Lange
MoMA’s Modern Women
The Museum of Modern Art's new installation, "Designing Modern Women," could have made a bolder statement about the transformative role of women in 20th century design and architecture.


Alexandra Lange
Mariana Griswold Van Rensselaer, Freelancer
One of the incidental pleasures of Judith Major’s new book on pioneering architecture critic Mariana Griswold Van Rensselaer is the glimpse it gives into the life of a cultural journalist at the turn of the past century.


Rob Walker
Scenes from the Crowdcrit Revolution
Assessing the crowdcrit revolution of the past decade, and what  it could mean for serious thinking about design.


Alexandra Lange
Learning New Tricks
Harvard doesn't have any design courses, but I've found new friends in "material culture." What it's like for a critic to go back to school.


Alexandra Lange
Praise the Partner(s)
Salute Denise Scott Brown because she deserves it, but let's not forget the other partners.


Alexandra Lange
The Fork and the World: Design 101
If you had to explain design to the uninitiated, where would you start?


Rick Poynor
The Practical Virtue of Works That Work
Works That Work magazine reclaims the word “creativity” from the stultifying embrace of branding culture and design thinking.


Alexandra Lange
Instagramming Around Australia
Lessons from contemporary Australian architecture, plus what I saw on Instagram.


Rick Poynor
A Dictionary of Surrealism and the Graphic Image
An alphabetical guide to graphic designers influenced by Surrealism and to some key Surrealist concepts.


Rob Walker
Branding By Numbers
Emblemetric backs its assessment of the American Airlines logo with "the data." Of course, that's open to interpretation.


Alexandra Lange
Kicked A Building Lately?
That question, the title of the 1976 collection of Ada Louise Huxtable’s work for the New York Times, embodies her approach to criticism.


Alexandra Lange
Bad Taste True Confessions: Erté
True confessions about my own bad taste. I loved Erté. Did you?


Michael Bierut
Style: An Inventory
Style: An Inventory by Michael Bierut


Rob Walker
Crowdcrit vs. Apple Maps
An instant Tumblr responds to Apple's maps app, and demonstrates the art of the creative takedown.


Rob Walker
Secret Lives Of Things
Ian Bogost explains why it's important to try to understand what it's like to be a thing.


Rick Poynor
What Does Critical Writing Look Like?
A report on work by the first graduates from the Royal College of Art’s Critical Writing in Art & Design MA.


Alexandra Lange
The Charismatic Megafauna of Design
Identifying the "charismatic megafauna" of design and the critical uses of their popularity.


Alexandra Lange
The Mother of Us All
Reyner Banham on Esther McCoy: "She speaks as she finds, with sympathy and honesty, and relevantly to the matter at hand." Could there be a better definition of the role of the critic?


Rick Poynor
The Closed Shop of Design Academia
Shouldn’t it be part of a design academic’s brief to communicate more widely with the design profession and public?


Alexandra Lange
Frank Lloyd Wright + Katniss Everdeen
On photographing architecture as sculpture and telling stories via architecture.


Rick Poynor
John McHale and the Expendable Ikon
Artist, graphic designer, information theorist, architectural critic, sociologist, futurist: it’s time to rediscover John McHale.


Rick Poynor
In Response to An Anatomy of Uncriticism
Alexandra Lange’s article in Print about the sacred cows of graphic design sidesteps the issue it raises.


Rick Poynor
Read All That? You Must be Kidding Me
Ellen Lupton’s essay about reading and writing for Graphic Design: Now in Production misses some key points.


Rick Poynor
Another Design Voice Falls Silent
As design criticism takes off as a branch of academic study, design publications such as Grafik keep closing.


Rick Poynor
On My Shelf: Continuum’s 33 1/3 Series
The 33 1/3 books about classic albums are a perfect example of how design can help focus an editorial idea.


Rick Poynor
Did We Ever Stop Being Postmodern?
Like it or not, argues the V&A's exhibition about postmodernism and design, we are all postmodern now.


Rick Poynor
Should We Look at Corrosive Images?
What do violent photographs of war do to us as viewers?


Rick Poynor
A Swedish Perspective on Critical Practice
The Reader, a recent book from Stockholm about critical practice, has some smart insights while missing the bigger picture.


Alexandra Lange
Announcing LetsGetCritical.org
My new blog collects the best arts & culture criticism, essays and reviews.


Rick Poynor
The House That Design Journalism Built
Printed design magazines continue to fail and close. Where does that leave design writing and criticism?


Rick Poynor
Books Every Graphic Designer Should Read
The Designers & Books website has published my list of 20 indispensable books about graphic design.


Rick Poynor
Paul Stiff, the Reader’s Champion
For the late Paul Stiff, design educator, writer, editor and skeptic, typography must never neglect to serve the reader.


Alexandra Lange
Muddying the Waters
Explore New York's watery edges with the graduating class at D-Crit.



Andy Chen
Battle Hymn of the Tiger Cub
Is design strictly a set of rules?


Alexandra Lange
ISO The Digital Sidewalk Critic
Why is it so hard to say, "I hate my iPad"?


Alexandra Lange
Objects Fall From the Sky
What's more important: crediting a designer or the designer credited?



Rick Poynor
Where Is Art Now?
Leaving the art world to decide what art is doesn’t resolve the issue of quality.


Alexandra Lange
Criticism Kerfuffle 2010
There are people trying to write their way to a future of architecture criticism. But it isn't just the writing that's the problem.


Mark Lamster
Design Writing: Vital Field or Museum Piece?
Is traditional architectural criticism dead?



Rick Poynor
Adventures in the Image World
This is a blog about visual culture. It reflects my interests, enthusiasms, concerns and bêtes noires across the spectrum of visual phenomena.


Rick Poynor
Design Writing from Down Under
A new issue of The National Grid arrives in the mail. You’ve never seen it? You are missing a treat.



Leonard Koren
Which “Aesthetics” Do You Mean?
An excerpt from Leonard Koren's new book Which “Aesthetics” do You Mean?: Ten Definitions



William Drenttel, Jessica Helfand, and AIGA
AIGA Winterhouse Awards for Design Writing: 2010 Recipients
AIGA and Winterhouse Institute announce the two writers selected to receive the 2010 AIGA Winterhouse Awards for Design Writing & Criticism — including a $10,000 prize and a $1,000 student award.



Jade Dressler
Degrees of Temporary
Interview with Claudia Zanfi, co-founder of the cultural organization aMAZElab in Milan.



Alexandra Lange
An Honor Just to be Mentioned...
It's all about etiquette, as I find myself included with the likes of Edith Wharton and Jane Austen.



Alexandra Lange
Lunch with the Critics: Park51 and 15 Penn Plaza
In my 
second critical lunch with Mark Lamster, in the creepy climes of the Hotel Pennsylvania, we discuss the urbanism, politics and skyline posturing of Park51 and 15 Penn Plaza.






Alexandra Lange
When Shopping Was Sociable
Design Research and Apple, a comparison of the two stores that have brought design to the masses.



Alexandra Lange
On DO: Lunch with the Critics
Please weigh in on 
Mark Lamster and my new Design Observer feature, "Lunch with the Critics," in which we observe the new Lincoln Center.






Alexandra Lange
Whatever Happened to Architecture Critique?
Sometimes it feels like everything is shrinking: the magazines, the word counts, the outlets, and especially the critics.



Alexandra Lange
“We Can’t Really Pay”
All of you print people who scorned bloggers but have moved into blogging and helm publications that “blog,” earth to you: You don’t pay.



Alexandra Lange
Pomo Time Machine
I’m writing more about
Warren Platner, my favorite terribly wonderful or wonderfully terrible architect.



Alexandra Lange
My .02 on the Whitney
Everyone has taken their shot at outrage regarding the Whitney's move to a Renzo Piano building at the base of the High Line.



John Thackara
What Should Design Critics Write About?
Address to MFA students in the School of Visual Arts' Design Criticism program, April 30, 2010.



Alexandra Lange
The Anti-Enthusiasts
Design Blogs: The Vacuum of Enthusiasm, my Design Observer manifesto on what the world of design on the internet needs, lives on in the comments.



Alexandra Lange
Jane Jacobs Is Still Watching
Despite my dislike of Jane Jacobs's beef with architects and planners, so many points seem strangely prescient.



Alexandra Lange
On Archpaper: Saccharine Design
My review of
Marcel Wanders’ exhibition Daydreams at the Philadelphia Museum of Art for The Architect’s Newspaper just went online and let’s just say I was not impressed.



Alexandra Lange
Straw Men Redux
I can't help but compare and contrast Nicolai Ourossoff's opening sentences of his recent work.



Alexandra Lange
What I Learned @dcritconference
The
D-Crit Conference is just a memory, so as a tribute to the afternoon presentations I saw, I offer a set of tangents.



Alexandra Lange
Confessions and Criticism
I am not a fan of TMI, the confessional mode, or the sense one gets that the best way to make it as a woman in the media business is to write about yourself.



Alexandra Lange
Junior Critics
One of the pleasures of teaching is when your students actually surprise you.






Alexandra Lange
All in the Execution
Ian Baldwin's review of The Grid Book calls out the coffee-table book format and it's middlebrow achievements.






Mark Dery
Bunker of Broken Dreams
Review of "Landscapes of Quarantine," Storefront for Art and Architecture, New York. March 9–April 17, 2010.






Alexandra Lange
Anthony Lane Fugs Too
Anthony Lane pans The Clash of the Titans.






Alexandra Lange
Texts Without Context
I keep thinking about Michiko Kakutani’s piece,
Texts Without Context, that begins the discussion of what is being lost to culture by the supremacy of the web.






Alexandra Lange
Tearing Down
At the end of a session at the Architectural League's On Criticism reading group, the non-journalists in attendance began to ask the journalists whether architecture critics had any power.









Alexandra Lange
Serious Fun
I am headed to California this week, and realized I might be passing by the Nut Tree, a roadside restaurant on the highway from Sacramento to San Francisco.



Mark Lamster
Overkill, Design Publishing Dept.
I have a piece out in the new issue of Dwell, a peek at a modest kitchen reno in Brooklyn. It's not online yet.



Alexandra Lange
More! Women! Architects!
A lot of attention — in Chicago, at least — has been given to the fact that Aqua is the tallest building in the world designed by a woman.



Alexandra Lange
I Heart Huxtable
Ada Louise Huxtable is still the most knowledgeable, elegant, thoughtful critic out there.



Alexandra Lange
Size M
Nicolai Ouroussoff, Paul Goldberger, and Ada Louise Huxtable may live here in New York, but in general they have become too big to pay attnetion to the small stuff.



Mark Lamster
Criticizing the Critics
The two men who controlled the architectural conversation in New York (and hence America and the world) for better than two decades have recently published collections of their criticism.



Alexandra Lange
The Women
While Manohla Dargis rants about the lack of women in charge in Hollywood save for Nancy Meyers, Zaha Hadid similarly represents the dirth of women in architecture.






Alexandra Lange
Paper Revelations
Reading a lot of architecture criticism for those same classes, I also start to develop a running mental list of the writerly tics of critics like Paul Goldberger.



Mark Lamster
Ron Arad at MoMA
I'm not sold on Arad as an architect, but his material experimentation is certainly admirable



Mark Lamster
Delayed Gratification: On Architectural Criticism
Caught up in the formal design aspects of a building, critics like Nicolai Ouroussoff overlook the social context.



Denise Gonzales Crisp, and Rick Poynor
A Critical View of Graphic Design History
Now comes yet another historical survey, Graphic Design History: A Critical Guide by Johanna Drucker and Emily McVarish. Denise Gonzales Crisp and Rick Poynor have been marking pages, making notes and exchanging views...



Matt Soar
Fail Again, Fail Better
So, what of productive failure with respect to graphic design and typography? The idea of failing again and again for a reason? Does it somehow help to define the limits of professional practice?



Alice Twemlow
Some Questions about an Inquiry
“Critical design” is design that, through its form, can question and challenge industrial agendas; embody alternative social, cultural, technical or economic values; and act as a prop to stimulate debate and discussion amongst the public, designers and industry. As critical design gathers momentum, where is graphic design?


Alice Twemlow
When Did Posters Become Such Wallflowers?
What was odd about many of the posters Alice Twemlow judged in a recent competition was that they didn’t promote an idea, event or product; their only purpose seemed to be entering numerous annual poster competitions.



Jessica Helfand
I'm Not Ready to Make Nice




Justin Good
What is Beauty? Or, On the Aesthetics of Wind Farms
What is beauty and how does it relate to ecology? A look at contrasting aesthetic intuitions about wind farms reveals a paradigm shift in how we understand beauty.



Michael Bierut
Warning: May Contain Non-Design Content
Design is that it is almost always about something else. The more things you're interested in, the better your work will be.



Michael Bierut
Wilson Pickett, Design Theorist, 1942 - 2006
Wilson Pickett's advice on hitmaking, "Harmonize, then customize," would make good advice for any designer.



Dmitri Siegel
Bartleby™
In his classic story of Wall Street,
Bartleby the Scrivener, Herman Melville recounts the tale of a humble copyist employed by the story's narrator. Could Bartleby's perfectly crafted refrain be the appropriate response to a world where every choice and configuration has been designed?



Rick Poynor
Emigre: An Ending
Issue 69 of Emigre will be the last. In its heyday, it was the most consistently interesting design publication produced by anyone, anywhere. By 1990, it was one of those magazines you simply had to get hold of and read straight away.



Rick Poynor
Where Are the Design Critics?
There is no reason why design criticism shouldn’t take an oppositional view of design's instrumental uses and its social role, but few design writers seem motivated to produce this kind of criticism.



Rick Poynor
Mevis and Van Deursen: Rueful Recollections, Recycled Design
In their self-edited monograph, Dutch graphic designers Mevis and Van Deursen turn their backs on their professed commitment to ideas and treat the book mainly as an opportunity for undemanding aesthetic play.



Jessica Helfand
Extremely Young and Incredibly Everywhere: The Public Art of Jonathan Safran Foer
Jonathan Safran Foer's emergent body of work includes film and video, public art installations, theatrical collaboration, expressive typography, and a fairly prolific jumpstart as a writer. Cumulatively, all of his projects — which range from collecting empty pages of famous writers, to constructing parabolas in a public park, to collecting anonymous self-portraits — seem to look for ways to formally address time and space and the human condition.



Rick Poynor
Dot Dot Dot Dot Dot Dot Dot Dot Dot
Dot Dot Dot is the most stimulating and original visual culture magazine produced by designers since Emigre's heyday in the late 1980s to the mid-1990s.



Rick Poynor
Why Architects Give Me the Willies
No matter how central graphic communication might be to our lives, architecture always dominates press coverage because it is very expensive, expresses the conditions of power, and is just plain big.



Michael Bierut
Authenticity: A User's Guide
Graphic designers take pleasure in simulation. This makes defining authenticity a tricky thing.



William Drenttel
Chris Marker: La Jetée
For years, I've owned a copy of La Jetée, a book about the film by Chris Marker, the experimental filmmaker. Designed by Bruce Mau and published by MIT Press/Zone Books in 1993, this is one of those design books that has ascended into the realm of rare bookdom...



Michael Bierut
The Comfort of Style
The design process at the World Trade Center site has attracted enormous interest on one hand, and marginalized the role of designers on the other, as described in Philip Nobel's book Sixteen Acres: Architecture and the Outrageous Struggle for the Future of Ground Zero.



Rick Poynor
The I.D. Forty: What Are Lists For?
How do we measure one kind of achievement in design against another to arrive at a ranking? The truth is we can’t. The real purpose of I.D.’s list was to underscore the magazine’s position as selector and taste-maker.



Jessica Helfand
Code (PMS) Blue
Hospital rooms are architectural oddities: they're all function with no form. To the extent that, in matters of critical care, timing is everything, why should it matter? Then again, why shouldn't it?



Jessica Helfand
Time, Space and The Microsoft Colonialists
If Microsoft displayed its marketing genius by introducing "Spaces" three weeks before Christmas, its failure as a compelling editorial product — as evidenced by its restrictive format, its templated narrowcasting, its uninspired design parameters — illuminates its ultimate weakness: these spaces have nothing to do with space, in all its rich, fascinating and deeply human complexity.



Jessica Helfand
Am I Blue
Bumper stickers and lawn posters aside, Americans showed their concern on election day 2004 by standing in epic lines at polling centers around the nation, but also in certain subtle, discreetly visual ways. From dressing in all blue (or red) to wearing "I voted today" buttons, there has been a kind of silent visual communication effort steadily in play for the last 36 hours.



Michael Bierut
What is Design For? A Discussion
Rick Poynor and Michael Bierut discuss the purpose and promise of graphic design, in a conversation moderated by Creative Review editor Patrick Burgoyne.



Michael Bierut
Barthes on the Ballpoint
Roland Barthes disliked ballpoint pens, suggesting that there is a "Bic style" suited for "writing that merely transcribes thought."






Jessica Helfand
Annals of Academia, Part I: What I Didn't Learn In Graduate School




William Drenttel
Learning from Las Vegas: The Book That (Still) Takes My Breath Away
Why did its authors hate the design of Learning from Las Vegas so much?



Rick Poynor
Critics and Their Purpose
Pulling a 1960s art magazine from the shelf, I opened it at random to find a long list of thoughts about art criticism assembled in 1966 by students at the Royal College of Art in London. Many of these ideas apply to design.



Jessica Helfand
One Person, One Vote, One MRI?




Rick Poynor
Theory with a Small "t"
A critical writing determined by the need to shape practice will be limited in the cultural insights it can offer. This is the last thing that design writing needs when ways to engage a wider public could be opening up.



Rick Poynor
How to Say What You Mean
There is a crucial difference between subtle and complex ideas and needlessly convoluted forms of expression. The challenge now for design writing is to move outwards into a world in which design is everywhere.



Jessica Helfand
Regarding the Photography of Others




William Drenttel
Defamiliarization: A Personal History




Jessica Helfand
The Crisis of Intent




Jessica Helfand
You're Going to Hollywood, Baby




Jessica Helfand
The Span of Casual Vision




Rick Poynor
Notes on Experimental Jetset
Experimental Jetset’s argument that design should have a certain autonomy and an inner logic separate from tastes and trends makes sense, but as a rationale for defaulting to Helvetica, is it convincing?



Jessica Helfand
On Visual Empathy
In a world besieged by unpredictable atrocities, don’t we all feel a little emotionally raw? Two recent articles in suggest that visual empathy may more critical to a productive imagination than we thought.



Rick Poynor
Those Inward-looking Europeans
Three American design teachers visit London and the Netherlands. European designers, they say, are not paying attention to design history. Maybe the visitors are missing local factors and broader global issues.



Jessica Helfand
Fatal Grandeur
Maybe design isn't going to kill you if it falls on your head. But if YOU fall, design is not exactly going to save you, either.



Jessica Helfand
Edward Tufte: The Dispassionate Statistician I




Jessica Helfand
The Real Declaration




Observed


Everything you ever wanted to know about the origins of Dutch design (but were afraid to ask).

A meditation on the history of design—and the rise of strategy—from Jarrett Fuller.

A meditation on analog beauty—and vernacular signage—from Elizabeth Goodspeed.

Richard Stengel makes a compelling case that journalism should be free to save democracy. “According to the Reuters Institute for the Study of Journalism, more than 75% of America’s leading newspapers, magazines, and journals are behind online paywalls. And how do American news consumers react to that?” (Subscription required.) 

Please, please, pleaseget some sleep.

The Supreme Court allows Idaho to ban transgender health care for minors. For now.

Historically, we’ve invested huge resources to keep cities and nature separate. But we now know that the health of the soil and the health of people are the same story. So, what does this have to do with design? Join the unstoppable John Thackara and Milan Politecnico professor Ezio Manzini today at 11 am ET as they discuss this critical—and surprisingly overlooked—environmental issue.

Conducted through audio interviews, Ana Miljački's I Would Prefer Not To is an oral history project on the topic of the most important kind of refusal in architects’ toolboxes: refusal of the architectural commission. (Miljački, an architectural historian and theorist, is also Director of the Critical Broadcasting Lab at MIT.) Produced in conjunction with the Architectural League of New York, this podcast features conversations with a number of fascinating practitioners including Diller + Scofidio's Elizabeth Diller, WXY partner Claire Weisz (who we interviewed in Season Three of The Design of Business | The Business of Design) and Nina Cooke John (a Season Nine guest).

This past winter, a diverse cohort of students from the MADE Program at Brown + RISD and Harvard immersed themselves in a wealth of data provided by the City of Boston with the mission of uncovering novel, meaningful, and joyful perspectives on navigating and understanding the urban environment. Their resulting projects—a series of interactive exhibits ranging from envisioning the evolving contours of the coastline to revealing the secret lives of the city’s trees—will be on view this week at the Boston Museum of Science.

Designers are leaving corporate life in droves, re-designed out of their own jobs. “The strategic design gold rush is over,” reports Robert Fabricant.  So, where are they going? “[A} new class of platforms and networks have emerged, including NeolDesign Executive CouncilChief Design Officer School, Design Leadership Job Board, and Design Leaders.” This isn’t a bad thing, he says. “These platforms specifically target ‘fractional’ design leaders who are looking to support one another, collaborate on projects, better communicate their value, and source new income-generating opportunities, both individually and collectively.” 

A new project designed to amplify Indigenous-owned businesses on Google Maps and Google Search gets high marks from Huitzilli Oronia, a Chicana designer from Denver, Colorado, and the creative production agency Hook.  Oronia contributed Google’s Indigenous-owned attribute icon and associated launch materials to the initiative. “This wasn’t just another campaign; it represented an opportunity to help Indigenous business owners share their heritage and foster deeper connections between the businesses and their consumers,” she says.

Yet another social app built around talk, not text! 

Faith Ringgold, the multimedia artist whose soaring work documented race, class, family, community, justice, and the African American experience in the U.S., has died. She was 93. Her work included painting, sculpture, mask- and doll-making, textiles, performance art, and children’s literature. “Few artists have kept as many balls in the air as long as Faith Ringgold,” the New York Times art critic Roberta Smith wrote in 2013. “She has spent more than five decades juggling message and form, high and low, art and craft, inspirational narrative and quiet or not so quiet fury about racial and sexual inequality.”

Nike is under fire for its “needlessly revealing and sexist” Team USA women’s track and field kit. “Wait, my hoo haa is gonna be out.”

AI is rewriting the internet. Here’s what to expect from Microsoft’s Copilot, Google’s Gemini, and OpenAI’s ChatGPT-4. “These AI tools are vast autocomplete systems, trained to predict which word follows the next in any given sentence. As such, they have no hard-coded database of ‘facts’ to draw on — just the ability to write plausible-sounding statements. This means they have a tendency to present false information as truth since whether a given sentence sounds plausible does not guarantee its factuality,” says reporter James Vincent. Yay! The future sounds…?

The National Governors Association has launched a new Health Equity Learning Network to support policy solutions and share strategies to reduce health inequities in the U.S.

Daniel Kahneman, the Nobel Prize-winning psychologist who became known for his groundbreaking work in bias, heuristics, and how people make decisions, has died at 90. Kahneman became widely known for his 2011 book Thinking, Fast and Slow, which aimed to “improve the ability to identify and understand errors of judgment and choice, in others and eventually ourselves, by providing a richer and more precise language to discuss them.”

Maqroo means readable: Leo Burnett Dubai agency has partnered with Omantel telecom network to create a new dyslexia-friendly Arabic font. “Arabic is one of the oldest and most beautiful languages in the world. With 12 million words it is also the most complex, making it even harder for those with dyslexia to learn it,” says Leo Burnett Dubai art director Abdo Mohamed. (It’s also beautiful.)

Wicked looks good.

The much anticipated Humane AI Pin has arrived, an expensive, subscription-based wearable chatbot — or “second brain” — that nobody seems to like very much. Yet, I guess.

Who will represent working-class life?documentary about the UK-based photographer Tish Murtha is asking important questions about which stories are told visually — and supported by the art establishment — and why. “She showed the reality of poverty and deprivation in communities where the misery of unemployment had been allowed to settle by the Westminster political classes who considered it a price worth other people paying for the boon of undermining trade union power,” writes Peter Bradshaw. “But in capturing the faces, particularly the faces of children, Murtha showed her subjects’ humour, optimism and refusal to be cowed.”

An employee who worked as an art installer secretly hung one of his own paintings in the Pinakothek der Moderne in Munich, and we’re not that mad about it. “He was carrying tools; that’s why he went totally unnoticed,” said Tine Nehler, a museum spokesperson. “As a technician, he was able to move around all areas of the building outside of opening hours.”

Marian Bantjes critiques the design and logic (and design logic) of the food pyramid (and pyramids in general).

Lesly Pierre Paul’s New Vision Art School turns to the arts as a way to continue local traditions and keep neighborhood children out of gangs. 

Tahnee Ahtone joins the Nelson Atkins Museum in Kansas City as Curator, Native American Art. She was previously the Director and Curator at the Kiowa Tribal Museum in Carnegie, Oklahoma.

News we love: founded in 2002 by Nínive Calegari, a teacher, and McSweeney's founder (and author) Dave Eggers, 826 Valencia receives a $1 million donation from Yield Giving, a massive philanthropy effort by Amazon co-founder MacKenzie Scott.

Next week, Case Western will host design anthropologist Christina Wasson, who will deliver the 2024 Applying Anthropology to Real World Problems Lecture. Entitled The Participatory Design of Indigenous Heritage Archives, Wasson will describe how she has adapted participatory design methods to develop archives that preserve indigenous languages. (Thursday, April 18, at 4 p.m. in Mather Memorial Building, Room 201.)

Margerete Jahny belonged to a rare demographic of industrial designer: she was East German—and female—and according to design historian Günter Höhne, she was the first East German industrial designer, of any gender, with a university education.

New “networks” and “platforms” targeting “fractional” design leaders who are looking to support one another, collaborate on projects, better communicate their value, and source new income-generating opportunities, both individually and collectively. More on the reinvention design leaders are facing, by Robert Fabricant.

Democratic state lawmakers in Colorado are ending the practice of anonymous surveys to determine which bills should live or die. The change to make all parts of the survey public comes months after a judge ordered lawmakers to stop using their previous secret ballot system to prioritize legislation because it violated Colorado’s open meetings law, reports the Longmont Leader.



Jobs | April 22