Books

Self-Reliance

Emerson’s text is widely available to read online, but this new Volume edition—produced with Design Observer—elevates his wisdom through the printed word. With twelve essays from Jessica Helfand’s Self-Reliance Project: pledge now and order your copy today!

Culture is Not Always Popular

Founded in 2003, Design Observer inscribes its mission on its homepage: Writings about Design and Culture. Since our inception, the site has consistently embraced a broader, more interdisciplinary, and circumspect view of design's value in the world―one not limited by materialism, trends, or the slipperiness of style. Fifteen years, 6,700 articles, 900 authors, and nearly 30,000 comments later, this book is a combination primer, celebration, survey, and salute to a certain moment in online culture.

Observer Quarterly

In the winter of 2015, we launched a new publication called Observer Quarterly. The idea is for each themed issue to include original writing, interviews, and photography alongside archival material that draws a narrative between the history and current condition of new and underappreciated aspects of design culture. Our first issue—the Acoustic Issue—covered new ways of looking at sound as part of the design landscape. The second issue examined tagging as a social, cultural, and indexical practice. And our newest issue—following our conference, Taste, which took place in Los Angeles in the spring of 2016—looks at the multiple intersections between design and food.

Design | The Invention of Desire

Advancing a conversation that is unfolding around the globe, Jessica Helfand offers an eye-opening look at how designed things make us feel as well as how—and why—they motivate our behavior.

More books by Jessica Helfand

How to

How to, Michael Bierut’s first career retrospective, is a landmark work in the field. Featuring more than thirty-five of his projects, it reveals his philosophy of graphic design—how to use it to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. Specially chosen to illustrate the breadth and reach of graphic design today, each entry demonstrates Bierut’s eclectic approach. In his entertaining voice, the artist walks us through each from start to finish, mixing historic images, preliminary drawings (including full-size reproductions of the notebooks he has maintained for more than thirty-five years), working models and rejected alternatives, as well as the finished work. Throughout, he provides insights into the creative process, his working life, his relationship with clients, and the struggles that any design professional faces in bringing innovative ideas to the world. Offering insight and inspiration for artists, designers, students, and anyone interested in how words, images, and ideas can be put together, How to provides insight to the design process of one of this century’s most renowned creative minds.

More books by Michael Bierut

50 Books | 50 Covers Catalog

The ultimate “book of books” to catalog the 2015 winners of the 50 | 50 competition. Publisher, author, and previous 50 Books | 50 Covers recipient Dave Eggers introduces the book. Photographer George Baier IV, who has photographed countless authors and book jacket projects himself, has thoughtfully taken pictures of every book and cover winner. Mohawk generously donated the finest paper. Printed offset, locally, here in the United States. Copies no longer available.

Massimo Vignelli: Collected Writings

Massimo Vignelli (1931–2014) was one of the most influential designers of the twentieth—and twenty-first—centuries. The work he and his wife Lella accomplished at Vignelli Associates is universally admired. While Massimo himself never wrote for Design Observer, he appeared throughout its pages in spirit and as an example for over ten years. This collection of writings about Vignelli from the Design Observer archives—interviews, memories, observations, and critiques—includes selections from the lively comments and discussions that appeared after the original publication of these pieces. Contributors include Michael Bierut, Jessica Helfand, Debbie Millman, and Alice Twemlow, among others. Get this book!

Persistence of Vision: Collected Writings of William Drenttel

Designer and publisherWilliam Drenttel (1953–2013) was co-founder and editorial director of Design Observer. Since its inception in 2003, Drenttel contributed to Design Observer almost weekly on all manner of topics, from social change to democracy to his early career on Madison Avenue. We’ve collected two dozen essays—originally published on Design Observer—and an introduction by friend and former literary editor of the New Republic, Leon Wieseltier, and put them into print for the first time, including the lively comments and conversations that followed their original publication. Persistence of Vision is not only a tribute to a greatly missed design leader, but serves as an important addition to the design writing canon. Get this book!

Observed

COLLINS co-founder and Chief Creative Officer Brian Collins and co-founder and Chief Executive Officer Leland Maschmeyer will speak on branding and creativity at OFFF Barcelona this weekend.

“I can’t imagine any person with a background in graphic design made that thing without a committee of bland politicians sanding away its edges until they felt safe enough to unveil that to the public.” Behold: Logogate!

Black designers, curators, and more.

How do you stop deep-sea trawlers from harming ecosystems? Commission 10-ton marble sculptures and place them on the ocean floor, of course.

For ten years, Matt Needle has reimagined every best picture award nominee by redesigning their posters.

Coca-Cola...and art?

Don Norman‘s new book—Design for a Better World: Meaningful, Sustainable, Humanity Centered—is out March 21, from MIT Press. (Watch him discussing twenty-first century design on Youtube!)

Can design be a way to say “be careful”?

While Vermeer’s ‘Girl with a Pearl Earring’ is on loan, the Mauritshuis showcases 170 imaginative renditions in its place.

David Lance Goines, who “adamantly rejected the title of artist” has died. The iconic poster designer was 77.

Now you can get a Masters degree in graphic design—online!

How much do you know about “Swissness” legislation? The case of the Toblerone rebrand!

Oh, Brother (ly love)! Philadelphia needs a new ... flag?

Parisian opera house that inspired ‘Phantom of the Opera’ becomes an airbnb.

A new episode of Print Is Dead. (Long Live Print!) is out for your weekend listening pleasure. On this episode George Gendron visits with the creators of the 1980s-90s interior design juggernaut — Met Home — editor Dorothy Kalins and designer Don Morris. [BV]

Celebrate the launch of Dean of Design at OCAD Dori Tunstall‘s new book, Decolonizing Design, out now from MIT Press with a launch party and conversation between Dori and Holly Harriel, Director of the MIT CoLab. [BV]

On design—and dogma. [JH]

When beauty meets grief. [JH]

Design and disability: the urban way. [JH]

History—and controversy—at Cooper Union. [JH]

Brian Collins on design clichés. [JH]

The Tate Modern’s “public” viewing area allows museum visitors to look straight into the homes of the residents of a nearby building: interested readers can nerd out on the forty-seven page ruling that explains why a design decision can fall prey to the laws of public nuisance. [JH]

Lou Dorfsman and Al D’Amato’s powerful advertisement from 1962: an appraisal. (Via Natalia Pangaro.) [JH]

Remembering Carin Goldberg. [JH]

Coming soon to The Design Museum in London, an exhibition on design and history—organized by the Chinese dissident artist Ai Weiwei. [JH]

Will the future of design be collaborative? Figma’s Yuhki Yamashita thinks so. [JH]

Designers and layoffs. [JH]

Proving that America really is in crisis, the US State Department changes its official font to Calibri. Discuss! [JH]

The artist whose book covers distilled the nineteen-eighties. (via Mike Errico) [JH]

Ruth Adler Schnee, one of the more important textile designers of midcentury modernism, dies at 99. [JH]

In Denmark, thinking—and designing—out of the (grey) box. [JH]

Jerald Cooper’s aim is to make architecture and design more accessible by using layman’s language to break down barriers typically set up by white academics with advanced degrees. [JH]

Corn husks were just the start: a Mexican designer in London writes his own rules. [JH]

Wieden+Kennedy London launches standalone branding and design studio—called—NOT Wieden+Kennedy. (Play their logo generator yourself, here.) [JH]

Inclusive design, at Microsoft. [JH]

Best design stories of 2022, from The Guardian. [JH]

Jobs | March 29