Exposure

Rick Poynor
Exposure: Andy’s Food Mart by Tibor Kalman and M&Co
The virtue of the vernacular


Rick Poynor
Exposure: License Photo Studio by Walker Evans
The building as camera


Rick Poynor
Exposure: Drape (Cavalcade III) by Eva Stenram
Abducted in plain sight


Rick Poynor
Exposure: Mrs. E.N. Todter by Dion & Puett Studio
Art and the Ladies’ Field Club


Rick Poynor
Exposure: Rayograph with Gun by Man Ray
The poetry of the cameraless photo


Rick Poynor
Exposure: Clive Owen in character by Dan Winters
Anatomy of a publicity picture


Rick Poynor
Exposure: Assicurazioni Generali by Tošo Dabac
The textual unconscious of Zagreb


Rick Poynor
Exposure: Motion Efficiency Study by Frank Gilbreth
The ghost in the grid


Rick Poynor
Exposure: Commuter in Tokyo by Michael Wolf
How to cope with compression


Rick Poynor
Exposure: Ford Motor Plant by Charles Sheeler
The cathedral of industry


Rick Poynor
Exposure: Adamanese Man by Maurice Vidal Portman
Photography for anthropologists


Rick Poynor
Exposure: Domestic Interior by Nicole Bachmann
Design for everyday life?


Rick Poynor
Exposure: Cement Sky by Marla Rutherford
A fetish for motels


Rick Poynor
Exposure: Wintery Forest by Yang Yongliang
Building the new China


Rick Poynor
Exposure: Nurse Midwife by W. Eugene Smith
The mystery of birth


Rick Poynor
Exposure: Untitled Film Still #21 by Cindy Sherman
The photographer as performer


Rick Poynor
Exposure: Guts of the Beast by Marcus Nilsson
How to take a food picture


Rick Poynor
Exposure: Woman Mourning by Don McCullin
What are images of suffering for?


Rick Poynor
Exposure: Cabaret de l'Enfer by Harry C. Ellis
The ghoulish cavern in the villa of Ormen


Rick Poynor
Exposure: Chimpanzee by James Mollison
Looking into the face of an ape


Rick Poynor
Exposure: Operating Room by Augustine H. Folsom
Early surgery as public theater


Rick Poynor
Exposure: Francis Bacon by Bill Brandt
Portrait of the artist or photographer?


Rick Poynor
Exposure: Oildale by Rudy VanderLans
The dismal beauty of an oil field


Rick Poynor
Exposure: House #3 by Francesca Woodman
Fabricating a phantom girl


Rick Poynor
Exposure: Copacabana Beach by Thomaz Farkas
A pioneer of Brazilian photography


Rick Poynor
Exposure: Bar in Valparaiso, Chile by Sergio Larrain
The ambiguity of soft focus


Rick Poynor
Exposure: Suburban House at Night by Todd Hido
The pleasure in not knowing


Rick Poynor
Exposure: Man with a Bandaged Head
The aftermath of extreme weather


Rick Poynor
Exposure: Portrait of Space by Lee Miller
Frames within frames in the desert


Rick Poynor
Exposure: H.P. Lovecraft by Lucius B. Truesdell
The master of horror


Rick Poynor
Exposure: Morandi’s Objects by Joel Meyerowitz
The sublime in ordinary things


Rick Poynor
Exposure: Tilda Swinton by Tim Walker
The performance of a picture


Rick Poynor
Exposure: American Hermit by Alec Soth
Alone in the great outdoors


Rick Poynor
Exposure: Pirelli Calendar Model by Peter Lindbergh
The production line of glamor


Rick Poynor
Exposure: Kreuzberg Tower in Berlin by Hélène Binet
The aura of a building


Rick Poynor
Exposure: Marlene Dietrich Billboard by Brassaï
Superhuman mystique of a star


Rick Poynor
Exposure: Crashed Car by Arnold Odermatt
Fast and Furious: a retrofit


Rick Poynor
Exposure: Grace Jones by Jean-Paul Goude
Beauty, androgyny, and threat


Rick Poynor
Exposure: Beauty Salon in Kraków by David Hlynsky
The Surrealism of window displays


Rick Poynor
Exposure: Crime Scene in Paris by Alphonse Bertillon
The killing of a bank messenger


Rick Poynor
Exposure: Children at Play in the City by Shirley Baker
The freedom of the street


Rick Poynor
Exposure: Rossellini and Lynch by Helmut Newton
A primal lovers’ tryst


Rick Poynor
Exposure: Woman Mailing a Letter by Clifton R. Adams
The spell of vintage color


Rick Poynor
Exposure: James Nachtwey by Antonin Kratochvil
Portrait of a war photographer


Rick Poynor
Exposure: Dysturb poster in Paris by Jeanne Frank
Taking photojournalism to the street


Rick Poynor
Exposure: American Family by Ralph Eugene Meatyard
The otherness of other people


Rick Poynor
Exposure: Bookstore in Barcelona by Gabriel Casas
A new vision of the book


Rick Poynor
Exposure: Invisible Man by Gordon Parks
The view from an electric cave


Rick Poynor
Exposure: Kuwait, 1991 by Sophie Ristelhueber
The scars of a desert war


Rick Poynor
Exposure: Newport Baths by Max Dupain
Sun, sea, and disconnection


Rick Poynor
Exposure: The Eiffel Tower by Germaine Krull
A Paris icon made abstract


Rick Poynor
Exposure: Reem-B Robot by Vincent Fournier
The mental life of a machine


Rick Poynor
Exposure: Salvation Army Barracks by Jack London
Down and out in early 20th-century London


Rick Poynor
Exposure: Flypaper and Flies by Jacques-André Boiffard
A cold eye on insect carnage


Rick Poynor
Exposure: The Gamble by Peter Kennard
The clandestine operations of power


Rick Poynor
Exposure: Pages from Fabrik by Jak Tuggener
The dark undercurrents of industry


Rick Poynor
Exposure: Head below Wires by Roger Ballen
Absurdity in the South African outland


Rick Poynor
Exposure: Surface Transit by Eva Fuka
The shock of New York in the sixties


Rick Poynor
Exposure: Rue du Temple, Paris by Gail Albert Halaban
The lure of a lighted window


Rick Poynor
Exposure: J.G. Ballard by Brian Griffin
The science fiction of the ordinary


Rick Poynor
Exposure: Brodsky, the Tie Seller in Paris
Every photograph is an enigma


Rick Poynor
Exposure: Lens bookshop in Sutton by Lloyd Rich
The rediscovery of lost moments


Rick Poynor
Exposure: Luigi Russolo’s Noise Machines
Sonic conjurors of experimental music


Rick Poynor
Exposure: Butlin’s holiday camp by Edmund Nägele
A sixties vacation in glowing color


Rick Poynor
Exposure: Cat and I by Wanda Wulz
Modernity, femininity and the feline


Rick Poynor
Exposure: Restaurant de la Réserve by Jean Gilletta
Wonder and yearning by the sea


Rick Poynor
Exposure: Berlin scene by Wolfgang Zurborn
The hidden order of the random


Rick Poynor
Exposure: Mother and Child by Philip Jones Griffiths
The gendered power relations of war


Rick Poynor
Exposure: The Colossi of Memnon by Francis Bedford
Mysterious emanations from the desert


Rick Poynor
Exposure: The Simulator by Dora Maar
The chamber of Surrealist visions


Rick Poynor
Exposure: El Paso Street by Stephen Shore
The street corner: an uncommon place


Rick Poynor
Exposure: Rise Up You Are Free by Dominic Hawgood
A post-photographic view of exorcism


Rick Poynor
Exposure: Striporama street scene by Vivian Maier
How good was the photographer nanny?


Rick Poynor
Exposure: Viktoria Modesta by Nadav Kander
Changing perceptions of impairment



Observed


Picture this: A photographer wins an AI Image competition with a real photo. "I wanted to show that nature can still beat the machine and that there is still merit in real work from real creatives," said Digital Artist Miles Astray before he was disqualified. 

The American artist Kehinde Wiley—whose work he describes as “shedding light on the inequities Black and Brown people face in our society,”—has been accused of sexual misconduct. Wiley has denied the charges, but two museums have canceled upcoming exhibitions of his work.

In tandem with this exhibition (on view through the end of January 2025),  a new, five-episode podcast—hosted by British design critic and author Alice Rawsthorn—traces the evolution of Gae Aulenti through the voices of friends, curators, and a range of international architects.

The Los Angeles Design Festival is looking for new board members.

The Obama Foundation is looking for a new VP of Communications.

An Idaho pub owner celebrates “Homosexual Awesomeness Month” because “Pride is too extreme.”

SCOTUS gets it right on tribal health care:  In Becerra v. San Carlos Apache Tribe, the justices ruled that the federal government will have to pay more for health care on the reservations, making it a ruling on sovereignty

Something’s going on at Baraboo High School, y’all. Wisconsin? Thoughts?

Anne H. Berry, whose work focuses on representation and diversity in design as well as ethnic and racial disparities in the field, has been selected to be the next Director of the School of Design in the College of Architecture, Design, and the Arts at UIC Chicago.

Read about the fifty people helping to shape Chicago. (Gensler's Andre Brumfield leads the charge!)

You need a Wall Street Journal digital subscription to view this in its entirety, but the story needs to be shared whether you read it or not: high-profile school shootings, and the fear they spread, are shaping how architects design the modern American school.

Anna Gerber and Anna Holsgrove's Hurry Up, We're Dreaming is a new quarterly magazine focused on the relationship between technology and an unlikely trio of influences: ancient wisdom, spiritual practices, and natural intelligence. Their first issue is expected later this summer.

Grace Jun's new book on adaptive, wearable design—Fashion, Disability, and Co-design—is,  in her own words, “a practical book on the intricacies of design with examples of the many ways people can collaboratively work together”. Jun will be speaking on May 31st at Rizzoli Bookstore at 6pm in New York City.  (She was our guest on The Design of Business | The Business of Design back in season two.)

At the Business Design Centre in London, New Designers—now in its 39th year—brings together a whopping 3,000 design graduates every year from over 100 universities. The first week (26–29 June) highlights fashion and costume, contemporary design crafts, textiles, ceramics, glass, jewelry, and precious metalwork. The second week (3–6 July 2024) showcases furniture, product design, industrial design, spatial design, graphic design, illustration,  animation, motion art, digital art, and game design.

In a shocking announcement this morning, The University of the Arts in Philadelphia announces it will cease operations effective on June 7, 2024.

In partnership with the IKEA Foundation, What Design Can Do supports creative climate solutions aimed at fostering a more circular society. The winning projects in their latest challenge—Redesign Everything–include approaches such as bio-cement reef structures that mimic oyster reefs, bead alternatives designed to eliminate microplastics, and the use of agro-industrial fruit waste to create sustainable biomaterials.

Can you taste design? Designer, researcher, and author of Why Fonts Matter Sarah Hyndman has been conducting “typosensory research” experiments into how our senses “sway our perception.” 

A Banksy museum… with no Banksys?

Three Black men are suing American Airlines for racial discrimination, alleging all Black male passengers — none of whom were traveling together — were removed from their departing flight "because a white male flight attendant had complained about an unidentified passenger's body odor.” In 2017, the NAACP issued a travel advisory warning Black travelers that the airline had a “corporate culture of racial insensitivity and possible racial bias.” The advisory was lifted in 2018.

How do you know it’s racist if you didn’t watch it? This was largely the response from the three judges on the 7th U.S. Circuit Court of Appeals panel, who appeared unmoved by the accusation of a white former manager that his employer, Honeywell International, had fired him for refusing to attend a brief training session on unconscious bias. “It would be very different if your client had watched it and came in and said, ‘I found it discriminatory for the following reasons,’” Circuit Judge Amy St. Eve said to plaintiff Charles Vavra’s lawyer. Vavra sued Honeywell in 2021.

The not-so-quiet panic from climate scientists.

Donald Trump has been framing Chinese immigrants as mostly “military-age” men, here to stir trouble from within. “And it sounds like to me, are they trying to build a little army in our country? Is that what they’re trying to do?” he said in a campaign stop last month. But one immigrant who traveled through Ecuador to the U.S. border told the AP that it’s not true. “It is impossible that they would walk on foot for over one month” to organize an attack, he said. “We came here to make money.” Another, who hopes to make enough to bring his wife and children, said, “This trip is deadly. People die. The trip isn’t suitable for women — it’s not suitable for anyone.” 

“You need to kick that f***ing door down!” Vice President Kamala Harris was the guest of honor at an AAPI Heritage Month event this week and encouraged attendees to break through the barriers they still face. “We have to know that sometimes, people will open the door for you and leave it open, sometimes they won't. And then you need to kick that f***ing door down," as the audience cheered. "Excuse my language," she laughed.

This is why we can’t have nice things. An art installation project called the Dublin Portal experience, a 24/7 live cam and screen offering a real-time link between Dublin and New York City, is being ruined by “a small minority of people” doing “inappropriate things.”

More than 100 high-profile French art world figures have signed an open letter supporting the Palais de Tokyo in Paris after longtime patron Sandra Hegedüs withdrew her funding, saying, “I don’t want to be associated with the new, very political direction at the Palais de Tokyo...dictated by the defence of wokeism, anti-capitalism, pro-Palestine, etc.’” At issue was the show Past Disquiet, which focuses on four “museums in exile” and is constructed as a touring exhibit. From the response to Hegedüs: “These words and these methods, using a popular tribunal on social networks… are dangerous for the art world, for artists and for the freedom of institutions, as well as for our democracy.”

The pageant system is a toxic workplace, according to Miss USA Noelia Voigt and Miss Teen USA UmaSofia Srivastava, who announced their resignations last week. Srivastava said her "personal values no longer fully align with the direction of the organization," and Voigt cited mental health reasons in a statement, then later accused the Miss America Organization of providing "a toxic work environment ... that, at best, is poor management and, at worst, is bullying and harassment." Miss Colorado Arianna Lemus resigned in solidarity on Friday, writing that Voigt and Srivastava's "voices have been stifled by the constraints of a contract that undermines their rights and dignity.” 

Democracy, it’s a design thing! Last March, a federal judge ruled that New Jersey’s ballot — a confusing design known as the “county line” system — was likely unconstitutional and couldn’t be used in June’s primary. One county has unveiled their new ballot design, which looks awfully familiar. 

Heading to NY Design Week? Here’s the itinerary. (It’s May 16-23.)

Ann Pizzorusso, a geologist and Renaissance art historian, says she has finally solved one of the art world’s enduring mysteries: where in the world was the Mona Lisa when she was sitting for Leonardo da Vinci? It took her dual expertise to find the clues that were there all along. “Geologists don’t look at paintings, and art historians don’t look at geology,” she says. 

Three chatbots explain themselves



Jobs | June 14