Error: SQLSTATE[HY000]: General error: 1030 Got error 28 from storage engine The Design Observer Twenty: Wemimo Abbey + Samir Goel: Esusu: Design Observer




Wemimo Abbey + Samir Goel | The Design Observer Twenty
A fintech firm with an innovative new business model serving previously invisible customers once facing homelessness.

Esusu

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The Design Observer Twenty is our curated selection of twenty remarkable people, projects, and big ideas solving an urgent social need.

More than 100 million Americans pay rent, and there are 45 million Americans who are “credit invisible,” people with no hope of establishing a credit score that would unlock access to credit cards, mortgages, or other loans. Many are people of color or immigrants, working low-wage and demanding jobs. Because rent is expensive, paying it is a monthly stretch. “Rent is often 30 to 50% of monthly bills,” says Wemimo Abbey, co-founder and co-CEO of Esusu. As a result, people find themselves simultaneously lost in the system while being crushed by it. “It was bewildering to think about the fact that this particular data point wasn’t used to understand someone’s creditworthiness.” 

Esusu started by giving renters the credit they were due.

“We work with the largest owners and operators of real estate to help renters capture on-time rental payments and report it to the consumer rating agencies to help them establish and build their credit scores,” Abbey told Fortune. Then, in addition to venture capital, Esusu raised more than $1 billion in philanthropic investment capital from institutions dedicated to addressing the root causes of housing insecurity. “They usually fund homelessness when people are already on the streets,” Abbey says. “We turned around and said, ‘Why should we fund homelessness backwards?’” Esusu identifies renters who may be struggling and offers zero-interest bridge loans and other services that allow them to keep their payments current. It’s a triple win for the landlord, the tenant, and the taxpayer, Abbey says.

Black Renters Face Eviction At Significantly Higher Rates
From The New York Times, "The Americans Most Threatened by Eviction: Young Children."

Esusu's leaders believe their version of justice capitalism has a meaningful role in addressing the racial wealth gap. 

“We founded Esusu to dismantle barriers to housing for working families and unleash the power of data to bridge the racial wealth gap,” says co-founder and co-CEO Samir Goel. Historically, homeownership was encouraged through low or no-interest mortgages using guidelines issued by the Federal Housing Administration and then adopted by the Veterans Administration, and typically offered exclusively to white families. The legacy of those policies is segregation and wealth disparities. “Where you come from, the color of your skin and your financial identity should not determine where you end up in life.”

As it turns out, justice capitalism is good business. A Series B investment round in 2022 gave the company a $1 billion valuation, making it one of the few Black-owned unicorns in operation. 

Esusu now works with over 170 property owner/operators and is monitoring over 4 million rental units across the U.S. More than 50,000 new credit scores have been established, and existing scores have increased by more than 45 points. The current average credit score for renters reporting with Esusu is 667. 

The system would have helped Abbey when he emigrated from Lagos with his mother to attend high school in Minnesota. The weather wasn’t the only culture shock, he says. “My mother and I did not have a credit score, so had to borrow money at over 400% interest rate from a predatory lender.” It was a painful lesson in housing markets. “My mother sold my dad’s wedding ring. We borrowed money from church members. And that’s how we got started in the United States.”

Essay by Ellen McGirt.






Wemimo Abbey + Samir Goel

The Design Observer Twenty

The Design Observer Twenty is our curated selection of twenty remarkable people, projects, and big ideas solving an urgent social need.


The Design Observer Twenty

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