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Collective Museum Collection
TITLE: Collective Museum Collection
AUTHOR: Public Doors and Windows
PUBLISHER: Institute of the Arts and Sciences

DESIGNER: Molly Sherman
DESIGN FIRM: Molly Sherman



Concrete Cuba: Cuban Geometric Abstraction from the 1950s
TITLE: Concrete Cuba: Cuban Geometric Abstraction from the 1950s
AUTHOR: Text by Abigail McEwen. Interview with Pedro de Ora_ by Lucas Zwirner. Illustrated chronology by Susanna Temkin
PUBLISHER: David Zwirner Books

DESIGNER: Henk van Assen



Consumed Socialism
TITLE: Consumed Socialism
AUTHOR: Branislav Dimitrijevi_
PUBLISHER: Fabrika knjiga (Book Factory)

DESIGNER: Olivera Bataji_ Sretenovi_
CREATIVE DIRECTOR: Olivera Bataji_ Sretenovi_
ART DIRECTOR: Olivera Bataji_ Sretenovi_
DESIGN FIRM: -



Correspondence in D Minor
TITLE: Correspondence in D Minor
AUTHOR: James Dennis
PUBLISHER: Stephen F Austin University Press

DESIGNER: Carmen Garza
CREATIVE DIRECTOR: Lana Rigsby
ART DIRECTOR: Lana Rigsby
DESIGN FIRM: Rigsby Hull



Creatures of the Deep
TITLE: Creatures of the Deep
AUTHOR: Illustrations from Ernst Haeckel, Maike Biederst_dt
PUBLISHER: Prestel Publishing

DESIGNER: Maike Biederst_dt/Meike Sellier



Cuba: A Personal Journey 1989-2016
TITLE: Cuba: A Personal Journey 1989-2016
AUTHOR: Manuello Paganelli
PUBLISHER: Daylight Books

DESIGNER: Melanie McLaughlin
CREATIVE DIRECTOR: Melanie McLaughlin



Dan Flavin: Corners, Barriers and Corridors
TITLE: Dan Flavin: Corners, Barriers and Corridors
AUTHOR: Texts by Michael Auping and Alexandra Whitney
PUBLISHER: David Zwirner Books

DESIGNER: McCall Associates



Danh Vo ____ _______
TITLE: Danh Vo ____ _______
AUTHOR: Magal_ Arriola, Danh Vo, Patrick Charpenel, Virgilio Pi_era, Mark Godfrey, Patricia Falgueires, Francesco Pellizzi, Tom McDonough
PUBLISHER: Fundaci_n Jumex Arte Contempor_neo

DESIGNER: Emilio Per_z
CREATIVE DIRECTOR: Maricris Herrera
DESIGN FIRM: Estudio Herrera



Danny Lyon: Message to the Future
TITLE: Danny Lyon: Message to the Future
AUTHOR: Julian Cox and Elisabeth Sussman, with Alexander Nemerov, Danica Willard Sachs, Ed Halter, and Alan Rinzler
PUBLISHER: Fine Arts Museums of San Francisco and Yale University Press

DESIGN FIRM: Aufuldish & Warinner



Dead Animals or The Curious Occurrence of Taxidermy in Contemporary Art
TITLE: Dead Animals or The Curious Occurrence of Taxidermy in Contemporary Art
AUTHOR: Jo-Ann Conklin, Curator
PUBLISHER: David Winton Bell Gallery, Brown University

DESIGNER: Malcolm Grear Designers
DESIGN FIRM: Malcolm Grear Designers



Del Posto
TITLE: Del Posto
AUTHOR: Mark Ladner, Forewords by Mario Batali and Joe Bastianich
PUBLISHER: Grand Central Publishing

CREATIVE DIRECTOR: Anne Twomey
DESIGN FIRM: Gary Tooth, Empire Design



DELHI: Communities of Belonging
TITLE: DELHI: Communities of Belonging
AUTHOR: Sunil Gupta & Charan Singh
PUBLISHER: The New Press

DESIGNER: Lisa LaRochelle / Manuel Mendez / Yoko Yoshida-Carrera
CREATIVE DIRECTOR: Jurek Wajdowicz
ART DIRECTOR: Lisa LaRochelle / Jurek Wajdowicz
DESIGN FIRM: Emerson, Wajdowicz Studios (EWS)



Design  The Invention of Desire
TITLE: Design The Invention of Desire
AUTHOR: Jessica Helfand
PUBLISHER: Yale University Press

DESIGNER: Jessica Helfand and Sara Jamshidi



Design a Better Business
TITLE: Design a Better Business
AUTHOR: Patrick van der Pijl, Lisa Kay Solomon, Justin Lokitz
PUBLISHER: Wiley

DESIGNER: Jonas Louisse
CREATIVE DIRECTOR: Erik van der Pluijm
ART DIRECTOR: Maarten van Lieshout
DESIGN FIRM: Thirty-X



Design for People
TITLE: Design for People
AUTHOR: Scott Stowell
PUBLISHER: Metropolis Books

DESIGNER: Scott Stowell, Martha Kang McGill, Ryan Thacker
CREATIVE DIRECTOR: Scott Stowell
DESIGN FIRM: Open



Design: The Invention of Desire
TITLE: Design: The Invention of Desire
AUTHOR: Jessica Helfand
PUBLISHER: Yale University Press

DESIGNER: Sara Jamshidi
CREATIVE DIRECTOR: Jesscia Helfand
ART DIRECTOR: Jessica Helfand



Destroying The Laboratory For The Sake Of The Experiment
TITLE: Destroying The Laboratory For The Sake Of The Experiment
AUTHOR: Mark Power and Daniel Cockrill
PUBLISHER: Globtik Books

DESIGNER: Dominic Brookman
DESIGN FIRM: Kenosha Design



Diplomatic Security Service Then and Now
TITLE: Diplomatic Security Service Then and Now
AUTHOR: Vincent Crawley
PUBLISHER: Goetz Printing

DESIGNER: Stephanie Archuleta
CREATIVE DIRECTOR: Stephanie Archuleta
ART DIRECTOR: Stephanie Archuleta
DESIGN FIRM: Bureau of Diplomatic Security Public Affairs



Document
TITLE: Document
AUTHOR: Henry Leutwyler
PUBLISHER: Steidl

CREATIVE DIRECTOR: Ruba Abu-Nimah
ART DIRECTOR: Eleanor Ren_e Rogers
DESIGN FIRM: Water NYC



Documenting the Salon: Paris Salon Catalogs, 1673_1945
TITLE: Documenting the Salon: Paris Salon Catalogs, 1673_1945
AUTHOR: John Hagood, Yuriko Jackall, Kimberly A. Jones, and Yuri Long
PUBLISHER: National Gallery of Art, Washington

DESIGNER: Brad Ireland
DESIGN FIRM: National Gallery of Art, Washington



Dog Years
TITLE: Dog Years
AUTHOR: Melissa Yancy
PUBLISHER: University of Pittsburgh Press

DESIGN FIRM: in-house



Doris Salcedo: The Materiality of Mourning
TITLE: Doris Salcedo: The Materiality of Mourning
AUTHOR: Mary Schneider Enriquez; With contributions by Doris Salcedo and Narayan Khandekar
PUBLISHER: Harvard Art Museums (distributed by Yale University Press)

DESIGNER: Zak Jensen, Becky Hunt, Adam Sherkanowski
ART DIRECTOR: Zak Jensen
DESIGN FIRM: Harvard Art Museums Design Department



Doug Aitken: Electric Earth
TITLE: Doug Aitken: Electric Earth
AUTHOR: Donna Wingate
PUBLISHER: The Museum of Contemporary Art, Los Angeles and Delmonico / Prestel

DESIGNER: Marina Mills Kitchen
CREATIVE DIRECTOR: Lorraine Wild
DESIGN FIRM: Green Dragon Office



Draplin Design Co. Pretty Much Everything
TITLE: Draplin Design Co. Pretty Much Everything
AUTHOR: Aaron James Draplin/John Gall and Sarah Massey
PUBLISHER: Abrams Books

DESIGNER: Aaron James Draplin



Dreamcrashers
TITLE: Dreamcrashers
AUTHOR: Susan Terris
PUBLISHER: Conflux Press

DESIGNER: Tania Baban
CREATIVE DIRECTOR: Tania Baban
ART DIRECTOR: Tania Baban
DESIGN FIRM: Atelier Baban



Dwan Gallery: Los Angeles to New York, 1959_1971
TITLE: Dwan Gallery: Los Angeles to New York, 1959_1971
AUTHOR: James Meyer, Virginia Dwan, and Paige Rozanski
PUBLISHER: National Gallery of Art, Washington

DESIGNER: Margaret Bauer
DESIGN FIRM: National Gallery of Art, Washington



EachOther
TITLE: EachOther
AUTHOR: Laurie Hernandez
PUBLISHER: Self Publisher

CREATIVE DIRECTOR: Laurie Hernandez
ART DIRECTOR: Laurie Hernandez



Eat In My Kitchen
TITLE: Eat In My Kitchen
AUTHOR: Meike Peters
PUBLISHER: Prestel Publishing

DESIGNER: Jan Derevjanik



Ed Ruscha and the Great American West
TITLE: Ed Ruscha and the Great American West
AUTHOR: Karin Breuer, Kerry Brougher, Colleen Terry, and D. J. Waldie
PUBLISHER: Fine Arts Museums of San Francisco and University of California Press

DESIGN FIRM: Em Dash



Eija-Liisa Ahtila: Ecologies of Drama: Collected Writings, Interviews, and Scripts
TITLE: Eija-Liisa Ahtila: Ecologies of Drama: Collected Writings, Interviews, and Scripts
AUTHOR: Cathleen Chafee (ed.)
PUBLISHER: Albright-Knox Art Gallery

DESIGNER: Christopher Sleboda, Kathleen Sleboda



Elephant Child
TITLE: Elephant Child
AUTHOR: Camille Henrot
PUBLISHER: Inventory Press

DESIGNER: Project Projects
CREATIVE DIRECTOR: Adam Michaels
ART DIRECTOR: Adam Michaels
DESIGN FIRM: Project Projects



Enter Title Here
TITLE: Enter Title Here
AUTHOR: Rahul Kanakia / Kieran Viola
PUBLISHER: Disney Hyperion

DESIGNER: Maria Elias
ART DIRECTOR: Art Director Joann Hill, Associate Art Director Marci Senders



Everything Becomes a Poem
TITLE: Everything Becomes a Poem
AUTHOR: James W. Gaynor
PUBLISHER: Nemeton Press

CREATIVE DIRECTOR: Kelly McKinley
DESIGN FIRM: Pak Creative



Everything I Want to Eat
TITLE: Everything I Want to Eat
AUTHOR: Jessica Koslow/Holly Dolce
PUBLISHER: Abrams Books

DESIGNER: Scott Barry



Everywhen: The Eternal Present in Indigenous Art from Australia
TITLE: Everywhen: The Eternal Present in Indigenous Art from Australia
AUTHOR: Edited by Stephen Gilchrist; With essays by Stephen Gilchrist, Henry F. Skerritt, Hetti Perkins, Fred Myers, Shawn C. Rowlands, Narayan Khandekar, Georgina Rayner, and Daniel P. Kirby
PUBLISHER: Harvard Art Museums (Distributed by Yale University Press)

DESIGNER: Zak Jensen, Adam Sherkanowski, Becky Hunt
CREATIVE DIRECTOR: Steven Waldron
DESIGN FIRM: Harvard Art Museums Design Department



Expanded Field*
TITLE: Expanded Field*
AUTHOR: Ila Berman + Douglas Burnham
PUBLISHER: ar&d (Applied Research + Design Publishing), ORO Editions

DESIGNER: Erik Adigard + Patricia McShane
CREATIVE DIRECTOR: Erik Adigard + Patricia McShane
ART DIRECTOR: Erik Adigard + Patricia McShane
DESIGN FIRM: M-A-D



Explode Every Day: An Inquiry into the Phenomena of Wonder
TITLE: Explode Every Day: An Inquiry into the Phenomena of Wonder
AUTHOR: Edited by Denise Markonish
PUBLISHER: DelMonico Books _ Prestel | MASS MoCa

DESIGNER: Brett Yasko



Explorations in Typography (2nd edition)
TITLE: Explorations in Typography (2nd edition)
AUTHOR: Carolina de Bartolo with Stephen Coles and Erik Spiekermann
PUBLISHER: 101 Editions, LLC

CREATIVE DIRECTOR: Carolina de Bartolo
DESIGN FIRM: 101 Editions, LLC



FATHER DAUGHTER
TITLE: FATHER DAUGHTER
AUTHOR: Terry Corrao
PUBLISHER: Colfax Press

DESIGNER: Amanda Shaw, Terry Corrao



Fernando Coburgo fecit - A Atividade Art_stica do Rei-Consorte
TITLE: Fernando Coburgo fecit - A Atividade Art_stica do Rei-Consorte
AUTHOR: Parques de Sintra - Monte da Lua, S.A.
PUBLISHER: Parques de Sintra - Monte da Lua, S.A.

DESIGNER: Estela Estanislau
CREATIVE DIRECTOR: Estela Estanislau
ART DIRECTOR: Estela Estanislau
DESIGN FIRM: P-06 ATELIER



First Light: Tala Madani
TITLE: First Light: Tala Madani
AUTHOR: Philomena Mariani
PUBLISHER: Contemporary Art Museum St. Louis, MIT List Visual Arts Center, and Delmonico Books / Prestel

DESIGNER: Amy Fortunato
CREATIVE DIRECTOR: Lorraine Wild
DESIGN FIRM: Green Dragon Office



Five Bells: Being LGBT in Australia
TITLE: Five Bells: Being LGBT in Australia
AUTHOR: Jenny Papalexandris
PUBLISHER: The New Press

DESIGNER: Lisa LaRochelle, Manuel Mendez & Yoko Yoshida-Carrera
CREATIVE DIRECTOR: Jurek Wajdowicz
ART DIRECTOR: Lisa LaRochelle & Jurek Wajdowicz
DESIGN FIRM: Emerson, Wajdowicz Studios (EWS)



Footnotes from the World's Greatest Bookstores
TITLE: Footnotes from the World's Greatest Bookstores
AUTHOR: Bob Eckstein
PUBLISHER: Clarkson Potter

DESIGNER: Danielle Deschenes
CREATIVE DIRECTOR: Marysarah Quinn
ART DIRECTOR: Danielle Deschenes



Francis Bacon: Invisible Rooms
TITLE: Francis Bacon: Invisible Rooms
AUTHOR: Edited by Staatsgalerie Stuttgart and Ina Conzen
PUBLISHER: Prestel Publishing/Staatsgalerie Stuttgart




Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction
TITLE: Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction
AUTHOR: Anne Umland and Cath_rine Hug
PUBLISHER: The Museum of Modern Art

DESIGNER: Mark Nelson
DESIGN FIRM: McCall Associates



Francois Catroux
TITLE: Francois Catroux
AUTHOR: David Netto
PUBLISHER: Rizzoli

DESIGNER: Takaaki Matsumoto
CREATIVE DIRECTOR: Takaaki Matsumoto
DESIGN FIRM: Matsumoto Incorporated



Franz Erhard Walther: First Work Set
TITLE: Franz Erhard Walther: First Work Set
AUTHOR: Edited by Stephen Hoban, Kelly Kivland, and Yasmil Raymond
PUBLISHER: Dia Art Foundation

DESIGNER: Laura Fields



Fred Sandback: Light, Space, Facts
TITLE: Fred Sandback: Light, Space, Facts
AUTHOR: Harry Cooper, Briony Fer
PUBLISHER: Prestel/Glenstone

DESIGN FIRM: Joseph Logan Design



From The Heart
TITLE: From The Heart
AUTHOR: Brian Lanker
PUBLISHER: Jordan Schnitzer Museum of Art

DESIGNER: Barrett Fry
ART DIRECTOR: DJ Stout
DESIGN FIRM: Pentagram



Frontier Shores: Collection, Entanglement, and the Manufacture of Identity in Oceania
TITLE: Frontier Shores: Collection, Entanglement, and the Manufacture of Identity in Oceania
AUTHOR: Shawn Rowlands
PUBLISHER: Bard Graduate Center

DESIGNER: Hue Park
CREATIVE DIRECTOR: Kate DeWitt
DESIGN FIRM: Bard Graduate Center



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Observed


The Biden Harris campaign is looking for a design lead and a graphic designer. (Both positions are full-time and based in Wilmington, Delaware.)

Mexico City is facing a desperate but unsurprising water crisis.  But, Javier Sánchez, founder of architectural firm JSa, says that by returning to ancient water technologies—like efficient rainwater harvesting—homes can be both beautiful and water-self-sufficient. 

Climeworks, a Swiss start-up, has just unveiled Mammoth, the world’s biggest carbon-absorbing plant. Located in Hellisheidi, Iceland, Mammoth is designed to remove 36,000 metric tons of carbon each year, the equivalent of taking 8,600 cars off the road. “It’s a drop in the bucket, but it’s a much bigger drop in the bucket than any we’ve seen so far,”  Klaus Lackner, who heads the Center for Negative Carbon Emissions at Arizona State University, tells the Washington Post. 

The Cybersecurity and Infrastructure Security Agency (CISA) has instituted a voluntary “Secure by Design” pledge for enterprise software makers. It affirms they are improving, documenting, and publicly sharing a host of security protocols, fixes, and best practices. All the cool kids seemed to have signed up.    

Veterans are now playing an essential role in helping VA health centers design new facilities by piloting design simulators and assessing physical mockups before construction begins.  

It's hard out there for a young designer, says Nendo founder Oki Sato. "You have to think about materials and the process — not just human-centered, but for the planet — and we have to think about how it will be recycled in the future as well.”

Fast Company’s global design editor, Mark Wilson, sat down with Fuse Project founder Yves Béhar, Neri & Hu Design cofounder Rosanna Hu, IKEA CEO Jesper Brodin, and Mattel Chief Design Officer Chris Down and asked how AI was impacting their businesses. “The era of designing general devices and or apps that work the same way for everyone is going to be over soon,” says Béhar. Good ideas come from teams, but in the future, says Hu, “we might be able to get something in three minutes.” But Brodin asked the big questions. “What are the risks to humanity? How are we impacting truth?”

At the screening of Gary Hustwit’s new documentary, Eno, visionary musician Brian Eno said: "Algorithms cannot be in the hands of individuals like Elon Musk and Mark Zuckerberg."⁠ It’s a capitalism thing. “Well, one thing that is really, really clear to me is that whoever designs the algorithms, designs the future. And it’s completely terrifying to me that the design of those algorithms is, in fact, almost 99 percent made by a few young Americans who want to make a lot of money. If profitability is the main goal of the design, then we’re going to end up with the same kind of shit that we got from social media.”

Did you know that since 1956, each Eurovision host broadcaster has had to come up with its own logo? Some are generic and forgettable, while others are more professional (and maybe also forgettable) (and speaking of forgetting, Istanbul completely forgot to design one in 2004, which is where at least one generic stand-in proved useful). As a suite of visual emblems, they're fascinating as a collective snapshot, sitting at the intersection of typography, globalism, and the amped-up TV culture of the music business. Among our favorites is the 2017 logo, which claims to have taken its inspiration from a traditional Ukrainian necklace, or namysto—considered to be a protective amulet and a symbol of beauty and health—and in this case, a way to honor and celebrate diversity.

Wonderful job opportunity—perhaps for a newly-minted MFA grad—working with the amazing people at Cita Press, where they celebrate the spread of culture and knowledge by publishing the writings of women authors whose works are open-licensed or in the public domain. Through its library of collaboratively designed free books, Cita honors the principles of decentralization, collective knowledge production, and equitable access to knowledge.

Struggling to figure out what to watch on Netflix? You're not alone! That's a challenge that still keeps Steve Johnson, Netflix’s VP of design, up at night.

How does color function In factories, schools, and hospitals? In the 1950s, it functioned like this. (Part Two is here.)

As if Prime Minister Justin Trudeau didn't have enough on his plate, public response to a new identity program sparks controversy (and ridicule). "It looks like a moose getting a prostrate exam!" one person noted. "It looks like a Minecraft character milking an elk!" observed another. Behold: the communications kerfuffle around the design of a new logo for the Canadian Army.

Every object we bring into the world has a contextual backdrop, and every design decision is a compromise. How long should objects last? Charlie Humble-Thomas—a student at the RCA in London—ponders the question of what he calls “conditional longevity”. 

The United Methodist Church has reversed its denomination’s anti-LGBTQ policies and teachings and lifted all bans on same-sex marriage and gay clergy. The fight to allow same-sex marriage and gay clergy has been part of a painful debate within major Protestant denominations in the U.S. for nearly fifty years. Click through for a timeline of major milestones of the last five decades. 

AAPI History Month turns 45 this year.  Most people credit its establishment to Jeanie Jew, a fourth-generation Chinese American and a co-founder of the congressional Asian-Pacific staff caucus. Her grandfather had helped build the Transcontinental Railroad in the 1800s and then was killed amid anti-Asian unrest, a story which moved her colleagues on the Hill. In 1979, with support from California Rep. Norm Mineta and Hawaii Senators Daniel Inouye and Spark Matsunaga, President Jimmy Carter issued a proclamation designating the first week of May as “Asian/Pacific American Heritage Week.”

The impossible dilemma of Black female leadership. “In predominantly White spaces, a Black woman is expected to code-switch, mimic White culture, and either explicitly or implicitly affirm harmful propaganda about Black people, in order to signal that she can be trusted by the establishment,” says Shauna Cox in Nonprofit Quarterly Magazine.

Weimar, Germany—the city that was home to both Germany’s post-1918 government and the first (of three) Bauhauses—has taken the courageous step to re-examine the school’s relationship to National Socialism. Organized by the Klassic Stiftung Weimar and running from May 9 through mid-September, three exhibitions take on this immense subject: The Bauhaus As a Site of Political Contest, 1919-1933, will be at the Museum Neues Weimar; Removed – Confiscated – Assimilated, 1930/37 at the Bauhaus Museum; and Living in the Dictatorship, 1933 -1945 at the Schiller Museum. A review in today's Guardian looks at the complexity and coordination of this trio of shows, and delves into the historical nuance—and torment—of its political and artistic history. 

Design Reviewed is dedicated to digitally preserving graphic design history and documenting the expansive visual culture of the last century. The archive is the work of one extremely dedicated man: his name is Matt Lamont (and you can get a little taste of his obsession here).

Providing tactical strategies and creative support to tackle the complexities of balancing intuition and taste, technical and personal capability, strategic business decisions in design work and the demands of modern brand building, Matt Owens's A Visible Distance: Craft, Creativity, and the Business of Design speaks to students, educators, and professionals.

Opening in 2025, the Boston Public Art Triennial will be curated by Pedro H. Alonzo and Terese Lukey and is free and accessible to all. More here.
 

And for your Friday enjoyment—Designer! (A poem by Dorothy Chan.)

In Iran, the ancient qanat system enabled irrigation in desert environments, allowed for agriculture to flourish, and fostered community cooperation. “They are based on a huge shareholding system that requires different people living in a region to work together and use the water resources available," observes Negar Sanaan Bensi, a lecturer and researcher in the faculty of architecture at the Delft University of Technology in the Netherlands. With global warming sending temperatures soaring, rethinking these cooling tunnels represents a huge design opportunity, and hints at a promising future for community-building. (Also: they're already using it in Spain.)

California Governor Gavin Newsom—long criticized for failing to address his state’s $73 billion budget deficit, overspending and lack of focus on local issues—asks for public input on the design of a state coin. Hilarity (and, well, yes) humiliation ensues.

How does governance impact the preservation of critical, cultural, and historical artifacts, including, and especially, our cherished institutional archives? John Thackara has some ideas.

London design practice EcoLogicStudio has created a collection of everyday objects—including a desktop air purifier that outputs material used to create furniture and accessories—using algae.

Sloan Leo offers seven prompts to help you better understand what it means to queer design.

Steven Heller reviews Made in Italy NYC—an exclusive (and free!) exhibition celebrating the rich heritage of postwar Italian graphic design. (Bonus video content here.)

Fascinating new (hybrid) job opportunity at MIT, where they are recruiting an Exhibition and Commons Director to manage an exciting set of public spaces known as “the commons”, the newest of which has been carved out of the redesigned Metropolitan Storage Warehouse on MIT’s campus. The commons is envisioned as an assembly of curated physical sites and a set of related programs with a primary focus on architecture, design, urbanism, art, and technology. for their new building. Details here.

Everything you ever wanted to know about the origins of Dutch design (but were afraid to ask).



Jobs | May 11