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AIGA Archives

2016 Nominations

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Hall of Small Mammals
TITLE: Hall of Small Mammals
AUTHOR: Thomas Pierce
PUBLISHER: Riverhead Books | Penguin Random House

DESIGNER: Grace Han
ART DIRECTOR: Helen Yentus
DESIGN FIRM: Penguin Art Group



Heinrich B_ll Series
TITLE: Heinrich B_ll Series
AUTHOR: Heinrich B_ll
PUBLISHER: Can Publishing

DESIGNER: Utku Lomlu
CREATIVE DIRECTOR: Utku Lomlu
ART DIRECTOR: Utku Lomlu
DESIGN FIRM: Lom Creative



Herb Lubalin: Typographer
TITLE: Herb Lubalin: Typographer
AUTHOR: Editors: Adrian Shaughnessy & Tony Brook, Consultant Editor: Alexander Tochilovsky
PUBLISHER: Unit Editions

DESIGNER: Rachel Dalton
CREATIVE DIRECTOR: Tony Brook
DESIGN FIRM: Spin



Here Comes The Sun
TITLE: Here Comes The Sun
AUTHOR: Nicole Dennis-Benn
PUBLISHER: Liveright

DESIGNER: Jennifer Heuer
ART DIRECTOR: Steve Attardo



Hist_ria da Teoria da Arquitetura
TITLE: Hist_ria da Teoria da Arquitetura
AUTHOR: Hanno-Walter Kruft
PUBLISHER: EDUSP

DESIGNER: Gustavo Piqueira / Samia Jacintho
CREATIVE DIRECTOR: Gustavo Piqueira
ART DIRECTOR: Gustavo Piqueira
DESIGN FIRM: Casa Rex



Hist_ria de gente. Hist_ria da gente (History of people)
TITLE: Hist_ria de gente. Hist_ria da gente (History of people)
AUTHOR: Group of twenty garbage collectors of the S_o Paulo City hall
PUBLISHER: Infinito cultural

CREATIVE DIRECTOR: Raquel Matsushita
DESIGN FIRM: Entrelinha Design



Hoover
TITLE: Hoover
AUTHOR: Glen Jeansonne
PUBLISHER: Penguin Random House

DESIGNER: Emily Osborne
ART DIRECTOR: Anthony Ramondo



How Everything Became War
TITLE: How Everything Became War
AUTHOR: Rosa Brooks
PUBLISHER: Simon & Schuster

DESIGNER: Darren Haggar
CREATIVE DIRECTOR: Jackie Seow
ART DIRECTOR: Alison Forner



How to Ruin Everything
TITLE: How to Ruin Everything
AUTHOR: George Watsky
PUBLISHER: Plume

DESIGNER: Ben Denzer
ART DIRECTOR: Jason Booher



I Let You Go
TITLE: I Let You Go
AUTHOR: Clare Mackintosh
PUBLISHER: Penguin Random House

DESIGNER: Danielle Mazzella di Bosco
ART DIRECTOR: Judith Lagerman



I Met Someone
TITLE: I Met Someone
AUTHOR: Bruce Wagner
PUBLISHER: Blue Rider Press

DESIGNER: Spencer Kimble
ART DIRECTOR: Jason Booher



Ifig_nia
TITLE: Ifig_nia
AUTHOR: Teresa de la Parra
PUBLISHER: Editora Carambaia

DESIGNER: Bloco Gr_fico
CREATIVE DIRECTOR: Bloco Gr_fico
ART DIRECTOR: Bloco Gr_fico
DESIGN FIRM: Bloco Gr_fico



I'm Still Here (Je Suis L_)
TITLE: I'm Still Here (Je Suis L_)
AUTHOR: Clelie Avit
PUBLISHER: Grand Central Publishing

CREATIVE DIRECTOR: Anne Twomey



I'm Traveling Alone
TITLE: I'm Traveling Alone
AUTHOR: Samuel Bjork
PUBLISHER: Viking Books | Penguin Random House

DESIGNER: Colin Webber
ART DIRECTOR: Paul Buckley
DESIGN FIRM: Penguin Art Group



Impact 1.0: Design magazines, journals and periodicals [1922_73]
TITLE: Impact 1.0: Design magazines, journals and periodicals [1922_73]
AUTHOR: Editors: Tony Brook & Adrian Shaughnessy
PUBLISHER: Unit Editions

DESIGNER: Callin Mackintosh & Tommy Spitters
CREATIVE DIRECTOR: Tony Brook
DESIGN FIRM: Spin



Impact 2.0: Design magazines, journals and periodicals [1974_2016]
TITLE: Impact 2.0: Design magazines, journals and periodicals [1974_2016]
AUTHOR: Editors: Tony Brook & Adrian Shaughnessy
PUBLISHER: Unit Editions

DESIGNER: Callin Mackintosh & Tommy Spitters
CREATIVE DIRECTOR: Tony Brook
DESIGN FIRM: Spin / Unit Editions



Impossible Modernism
TITLE: Impossible Modernism
AUTHOR: Robert S. Lehman
PUBLISHER: Stanford University Press

DESIGNER: Anne Jordan and Mitch Goldstein
ART DIRECTOR: Rob Ehle
DESIGN FIRM: Anne Jordan and Mitch Goldstein



In Pursuit of Privilege
TITLE: In Pursuit of Privilege
AUTHOR: Clifton Hood
PUBLISHER: Columbia University Press

ART DIRECTOR: Julia Kushnirsky



In the Land of Armadillos
TITLE: In the Land of Armadillos
AUTHOR: Helen Marlyes Shankman
PUBLISHER: Scribner

DESIGNER: Matt Dorfman
ART DIRECTOR: Jaya Miceli



Incoming
TITLE: Incoming
AUTHOR: Justin Hudnall, Julia Evans, and Rolf Yngve
PUBLISHER: So Say We All

DESIGNER: Adam Vieyra



Infomocracy
TITLE: Infomocracy
AUTHOR: Malka Older
PUBLISHER: Tor

DESIGNER: Will Staehle
CREATIVE DIRECTOR: Irene Gallo



Infraviolet artist book collection:
TITLE: Infraviolet artist book collection: "Spiritual Exercises", "Licenses, of the Order", "Inbetween" and "Cam_es by Cam_es"
AUTHOR: Various
PUBLISHER: Col_gio das Artes da Universidade de Coimbra

DESIGNER: Bruna de Sousa
CREATIVE DIRECTOR: Bruna de Sousa
ART DIRECTOR: Bruna de Sousa
DESIGN FIRM: Bruna de Sousa



International and Regional Market Entry and Maintain Strategies
TITLE: International and Regional Market Entry and Maintain Strategies
AUTHOR: Mohammad Reza Hamidizadeh, Maryam Zaegaran Yazd
PUBLISHER: SBU Press

DESIGNER: Arman Khorramak
CREATIVE DIRECTOR: Arman Khorramak
ART DIRECTOR: Arman Khorramak



Intimations
TITLE: Intimations
AUTHOR: Author: Alexandra Kleeman / Editor: Terry Karten
PUBLISHER: Harper

DESIGNER: Robin Bilardello



Introduction to Metadata: Third Edition
TITLE: Introduction to Metadata: Third Edition
AUTHOR: Project Editor - Tom Frederickson
PUBLISHER: Getty Publications

DESIGNER: Gary Hespenheide
ART DIRECTOR: Jim Drobka



Invincible Summer
TITLE: Invincible Summer
AUTHOR: Alice Adams
PUBLISHER: Little, Brown

DESIGNER: Lauren Harms
CREATIVE DIRECTOR: Mario J. Pulice



Ithaca
TITLE: Ithaca
AUTHOR: Patrick Dillon
PUBLISHER: Pegasus Books

DESIGNER: Charles Brock
DESIGN FIRM: Faceout Studio



Jews Queers Germans
TITLE: Jews Queers Germans
AUTHOR: Martin Duberman/Dan Simon
PUBLISHER: Seven Stories Press

DESIGNER: Stewart Cauley Design
CREATIVE DIRECTOR: Stewart Cauley Design
ART DIRECTOR: Stewart Cauley Design
DESIGN FIRM: Stewart Cauley Design



John Glick: A Legacy in Clay
TITLE: John Glick: A Legacy in Clay
AUTHOR: Editor: Shelley Selim
PUBLISHER: Cranbrook Art Museum

DESIGNER: Meaghan Barry and Lilian Crum
CREATIVE DIRECTOR: Meaghan Barry and Lilian Crum
ART DIRECTOR: Meaghan Barry and Lilian Crum
DESIGN FIRM: Unsold Studio



Jungle of Stone
TITLE: Jungle of Stone
AUTHOR: William Carlsen
PUBLISHER: William Morrow

DESIGNER: Owen Corrigan
ART DIRECTOR: Jeanne Reina



Knockout
TITLE: Knockout
AUTHOR: John Jodzio
PUBLISHER: Soft Skull

DESIGNER: Matt Dorfman
ART DIRECTOR: Kelly Winton



La guerra delle immagini [The War of Images]
TITLE: La guerra delle immagini [The War of Images]
AUTHOR: Dario Carta
PUBLISHER: Il filo di Arianna

DESIGNER: Dario Carta
DESIGN FIRM: Dario Carta



Lance Wyman: The Monograph
TITLE: Lance Wyman: The Monograph
AUTHOR: Adrian Shaughnessy
PUBLISHER: Unit Editions

DESIGNER: Callin Mackintosh
CREATIVE DIRECTOR: Tony Brook
DESIGN FIRM: Spin / Unit Editions



Landscape As Urbanism
TITLE: Landscape As Urbanism
AUTHOR: Charles Waldheim
PUBLISHER: Princeton University Press

DESIGNER: Camille Sacha Salvador
CREATIVE DIRECTOR: Luke Bulman
ART DIRECTOR: Camille Sacha Salvador
DESIGN FIRM: Luke Bulman_Office



Leinte em p_ [Poudered Milk: Chronicles of an Addiction]
TITLE: Leinte em p_ [Poudered Milk: Chronicles of an Addiction]
AUTHOR: Marina Filizola
PUBLISHER: Planeta

DESIGNER: mateus valadares
CREATIVE DIRECTOR: mateus valadares
DESIGN FIRM: mateus valadares est_dio



L'Heure Bleue or The Judy Poems
TITLE: L'Heure Bleue or The Judy Poems
AUTHOR: Elisa Gabbert
PUBLISHER: Black Ocean

DESIGNER: Abby Haddican
DESIGN FIRM: Abby Haddican



Life Moves Pretty Fast
TITLE: Life Moves Pretty Fast
AUTHOR: Hadley Freeman
PUBLISHER: Simon & Schuster

DESIGNER: Anna Laytham
CREATIVE DIRECTOR: Jackie Seow
ART DIRECTOR: Alison Forner



Living Next To The Giant: The Political Economy of Vietnam's Relations with China under Doi Moi
TITLE: Living Next To The Giant: The Political Economy of Vietnam's Relations with China under Doi Moi
AUTHOR: Le Hong Hiep
PUBLISHER: ISEAS Books

DESIGNER: Victoria Lee
CREATIVE DIRECTOR: Bryan Angelo Lim
ART DIRECTOR: Bryan Angelo Lim
DESIGN FIRM: qu_est-ce que c_est design



Living on Paper: Letters from Iris Murdoch
TITLE: Living on Paper: Letters from Iris Murdoch
AUTHOR: Iris Murdoch
PUBLISHER: Princeton University Press

DESIGNER: Amanda Weiss
CREATIVE DIRECTOR: Maria Lindenfeldar



Loner
TITLE: Loner
AUTHOR: Teddy Wayne
PUBLISHER: Simon & Schuster

DESIGNER: Na Kim
CREATIVE DIRECTOR: Jackie Seow
ART DIRECTOR: Alison Forner



Losing It
TITLE: Losing It
AUTHOR: Emma Rathbone
PUBLISHER: Riverhead Books | Penguin Random House

DESIGNER: Rachel Willey
ART DIRECTOR: Helen Yentus
DESIGN FIRM: Penguin Art Group



Love and Ruin
TITLE: Love and Ruin
AUTHOR: Evan Ratliff
PUBLISHER: W.W. Norton

DESIGNER: Steve Attardo
ART DIRECTOR: Steve Attardo



Love, Sex and Other Foreign Policy Goals
TITLE: Love, Sex and Other Foreign Policy Goals
AUTHOR: Jesse Armstrong
PUBLISHER: Blue Rider Press

DESIGNER: Jason Booher



Lovers on All Saints_ Day
TITLE: Lovers on All Saints_ Day
AUTHOR: Juan Gabriel V_squez
PUBLISHER: Riverhead Books

DESIGNER: Alex Merto
ART DIRECTOR: Helen Yentus



Mad Men Carousel
TITLE: Mad Men Carousel
AUTHOR: Matt Zoller Seitz/Eric Klopfer
PUBLISHER: Abrams Books

DESIGNER: Deb Wood



Madonnaland and Other Detours into Fame and Fandom
TITLE: Madonnaland and Other Detours into Fame and Fandom
AUTHOR: Alina Simone
PUBLISHER: University of Texas Press

DESIGNER: Lindsay Starr



Maintenance Architecture
TITLE: Maintenance Architecture
AUTHOR: Hilary Sample
PUBLISHER: The MIT Press

DESIGNER: Marge Encomienda



Making Literature Now
TITLE: Making Literature Now
AUTHOR: Amy Hungerford
PUBLISHER: Stanford University Press

ART DIRECTOR: Rob Ehle
DESIGN FIRM: Anne Jordan and Mitch Goldstein



Manly Health and Training
TITLE: Manly Health and Training
AUTHOR: Walt Whitman (author), Zachary Turpin (introduction), Kathy Huck (editor)
PUBLISHER: Regan Arts

DESIGNER: Richard Ljoenes
CREATIVE DIRECTOR: Richard Ljoenes
ART DIRECTOR: Richard Ljoenes
DESIGN FIRM: Regan Arts



Maps for Lost Lovers
TITLE: Maps for Lost Lovers
AUTHOR: Nadeem Aslam
PUBLISHER: Penguin Random House

DESIGNER: Rymn Massand
CREATIVE DIRECTOR: Rymn Massand
DESIGN FIRM: +RYMN



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Observed


The Biden Harris campaign is looking for a design lead and a graphic designer. (Both positions are full-time and based in Wilmington, Delaware.)

Mexico City is facing a desperate but unsurprising water crisis.  But, Javier Sánchez, founder of architectural firm JSa, says that by returning to ancient water technologies—like efficient rainwater harvesting—homes can be both beautiful and water-self-sufficient. 

Climeworks, a Swiss start-up, has just unveiled Mammoth, the world’s biggest carbon-absorbing plant. Located in Hellisheidi, Iceland, Mammoth is designed to remove 36,000 metric tons of carbon each year, the equivalent of taking 8,600 cars off the road. “It’s a drop in the bucket, but it’s a much bigger drop in the bucket than any we’ve seen so far,”  Klaus Lackner, who heads the Center for Negative Carbon Emissions at Arizona State University, tells the Washington Post. 

The Cybersecurity and Infrastructure Security Agency (CISA) has instituted a voluntary “Secure by Design” pledge for enterprise software makers. It affirms they are improving, documenting, and publicly sharing a host of security protocols, fixes, and best practices. All the cool kids seemed to have signed up.    

Veterans are now playing an essential role in helping VA health centers design new facilities by piloting design simulators and assessing physical mockups before construction begins.  

It's hard out there for a young designer, says Nendo founder Oki Sato. "You have to think about materials and the process — not just human-centered, but for the planet — and we have to think about how it will be recycled in the future as well.”

Fast Company’s global design editor, Mark Wilson, sat down with Fuse Project founder Yves Béhar, Neri & Hu Design cofounder Rosanna Hu, IKEA CEO Jesper Brodin, and Mattel Chief Design Officer Chris Down and asked how AI was impacting their businesses. “The era of designing general devices and or apps that work the same way for everyone is going to be over soon,” says Béhar. Good ideas come from teams, but in the future, says Hu, “we might be able to get something in three minutes.” But Brodin asked the big questions. “What are the risks to humanity? How are we impacting truth?”

At the screening of Gary Hustwit’s new documentary, Eno, visionary musician Brian Eno said: "Algorithms cannot be in the hands of individuals like Elon Musk and Mark Zuckerberg."⁠ It’s a capitalism thing. “Well, one thing that is really, really clear to me is that whoever designs the algorithms, designs the future. And it’s completely terrifying to me that the design of those algorithms is, in fact, almost 99 percent made by a few young Americans who want to make a lot of money. If profitability is the main goal of the design, then we’re going to end up with the same kind of shit that we got from social media.”

Did you know that since 1956, each Eurovision host broadcaster has had to come up with its own logo? Some are generic and forgettable, while others are more professional (and maybe also forgettable) (and speaking of forgetting, Istanbul completely forgot to design one in 2004, which is where at least one generic stand-in proved useful). As a suite of visual emblems, they're fascinating as a collective snapshot, sitting at the intersection of typography, globalism, and the amped-up TV culture of the music business. Among our favorites is the 2017 logo, which claims to have taken its inspiration from a traditional Ukrainian necklace, or namysto—considered to be a protective amulet and a symbol of beauty and health—and in this case, a way to honor and celebrate diversity.

Wonderful job opportunity—perhaps for a newly-minted MFA grad—working with the amazing people at Cita Press, where they celebrate the spread of culture and knowledge by publishing the writings of women authors whose works are open-licensed or in the public domain. Through its library of collaboratively designed free books, Cita honors the principles of decentralization, collective knowledge production, and equitable access to knowledge.

Struggling to figure out what to watch on Netflix? You're not alone! That's a challenge that still keeps Steve Johnson, Netflix’s VP of design, up at night.

How does color function In factories, schools, and hospitals? In the 1950s, it functioned like this. (Part Two is here.)

As if Prime Minister Justin Trudeau didn't have enough on his plate, public response to a new identity program sparks controversy (and ridicule). "It looks like a moose getting a prostrate exam!" one person noted. "It looks like a Minecraft character milking an elk!" observed another. Behold: the communications kerfuffle around the design of a new logo for the Canadian Army.

Every object we bring into the world has a contextual backdrop, and every design decision is a compromise. How long should objects last? Charlie Humble-Thomas—a student at the RCA in London—ponders the question of what he calls “conditional longevity”. 

The United Methodist Church has reversed its denomination’s anti-LGBTQ policies and teachings and lifted all bans on same-sex marriage and gay clergy. The fight to allow same-sex marriage and gay clergy has been part of a painful debate within major Protestant denominations in the U.S. for nearly fifty years. Click through for a timeline of major milestones of the last five decades. 

AAPI History Month turns 45 this year.  Most people credit its establishment to Jeanie Jew, a fourth-generation Chinese American and a co-founder of the congressional Asian-Pacific staff caucus. Her grandfather had helped build the Transcontinental Railroad in the 1800s and then was killed amid anti-Asian unrest, a story which moved her colleagues on the Hill. In 1979, with support from California Rep. Norm Mineta and Hawaii Senators Daniel Inouye and Spark Matsunaga, President Jimmy Carter issued a proclamation designating the first week of May as “Asian/Pacific American Heritage Week.”

The impossible dilemma of Black female leadership. “In predominantly White spaces, a Black woman is expected to code-switch, mimic White culture, and either explicitly or implicitly affirm harmful propaganda about Black people, in order to signal that she can be trusted by the establishment,” says Shauna Cox in Nonprofit Quarterly Magazine.

Weimar, Germany—the city that was home to both Germany’s post-1918 government and the first (of three) Bauhauses—has taken the courageous step to re-examine the school’s relationship to National Socialism. Organized by the Klassic Stiftung Weimar and running from May 9 through mid-September, three exhibitions take on this immense subject: The Bauhaus As a Site of Political Contest, 1919-1933, will be at the Museum Neues Weimar; Removed – Confiscated – Assimilated, 1930/37 at the Bauhaus Museum; and Living in the Dictatorship, 1933 -1945 at the Schiller Museum. A review in today's Guardian looks at the complexity and coordination of this trio of shows, and delves into the historical nuance—and torment—of its political and artistic history. 

Design Reviewed is dedicated to digitally preserving graphic design history and documenting the expansive visual culture of the last century. The archive is the work of one extremely dedicated man: his name is Matt Lamont (and you can get a little taste of his obsession here).

Providing tactical strategies and creative support to tackle the complexities of balancing intuition and taste, technical and personal capability, strategic business decisions in design work and the demands of modern brand building, Matt Owens's A Visible Distance: Craft, Creativity, and the Business of Design speaks to students, educators, and professionals.

Opening in 2025, the Boston Public Art Triennial will be curated by Pedro H. Alonzo and Terese Lukey and is free and accessible to all. More here.
 

And for your Friday enjoyment—Designer! (A poem by Dorothy Chan.)

In Iran, the ancient qanat system enabled irrigation in desert environments, allowed for agriculture to flourish, and fostered community cooperation. “They are based on a huge shareholding system that requires different people living in a region to work together and use the water resources available," observes Negar Sanaan Bensi, a lecturer and researcher in the faculty of architecture at the Delft University of Technology in the Netherlands. With global warming sending temperatures soaring, rethinking these cooling tunnels represents a huge design opportunity, and hints at a promising future for community-building. (Also: they're already using it in Spain.)

California Governor Gavin Newsom—long criticized for failing to address his state’s $73 billion budget deficit, overspending and lack of focus on local issues—asks for public input on the design of a state coin. Hilarity (and, well, yes) humiliation ensues.

How does governance impact the preservation of critical, cultural, and historical artifacts, including, and especially, our cherished institutional archives? John Thackara has some ideas.

London design practice EcoLogicStudio has created a collection of everyday objects—including a desktop air purifier that outputs material used to create furniture and accessories—using algae.

Sloan Leo offers seven prompts to help you better understand what it means to queer design.

Steven Heller reviews Made in Italy NYC—an exclusive (and free!) exhibition celebrating the rich heritage of postwar Italian graphic design. (Bonus video content here.)

Fascinating new (hybrid) job opportunity at MIT, where they are recruiting an Exhibition and Commons Director to manage an exciting set of public spaces known as “the commons”, the newest of which has been carved out of the redesigned Metropolitan Storage Warehouse on MIT’s campus. The commons is envisioned as an assembly of curated physical sites and a set of related programs with a primary focus on architecture, design, urbanism, art, and technology. for their new building. Details here.

Everything you ever wanted to know about the origins of Dutch design (but were afraid to ask).



Jobs | May 11