Evidence

Sean Adams
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Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | April 14

Everything you need to know about what’s happening in type today, from Monotype. [BV]

A collection of hand-lettered Marvel Comics titles, curated by Reagan Ray. (via James I. Bowie) [BV]


Observed | April 13

Plagiarism? Target? Discuss! [JH]

When good design makes bad cities—and how it can make them safer for women. [JH]


Observed | April 12

Behold: the cyborg—sorry, fashion mask. [JH]


Observed | April 08

The Huntington Library has a history of inequity. Can it pivot toward inclusivity? (via Blake Eskin) [BV]


Observed | April 07

Memory as inventory: a beautiful tribute in the New York Times. [JH]


Observed | April 06

Overlooked no more: The IBM Poster Program: Visual Memoranda features work by Ken White, John Anderson, Tom Bluhm and photographer Rodger Ewy among others like, um, Paul Rand. [JH]


Observed | April 05

Blending is the new branding. (Blend = Brand ± Transparency ± Framing ± Bespoke ± Blur) [BE]


Observed | April 01

Harvard’s GSD Introduces its own design imprint. [JH]

Voices: Black Graphic Design History is a free two-part webinar series through the four MICA William O. Steinmetz ’50 Designers-in-Residence. To register click here and here. [BV]


Observed | March 31

Designing with the devil. [JH]


Observed | March 29

“Professional designers, evangelists — they all took the opportunity: ridiculing, discrediting, alienating, exposing clean styles and templates, usurping the right to make design decisions.
And they succeeded...” (h/t Ethical Futures Lab) [BE]


Observed | March 26

Brand mascots, cruelty, and humiliation: the Duolingo owl and theory of change. [BE]

When less is more. [JH]


Observed | March 25

Annals of design absurdity: Zara models feature poses that make the clothes impossible to figure out. [JH]


Observed | March 24

As representations of the collective power of local people banding together, the exhibit Meeting Hall Maine aims to instill an appreciation and desire in others to preserve vernacular structures as democratic forums for generations to come. [BV]


Observed | March 23

In an effort to provide more fonts accessible to everyone, the Indian Type Foundry introduces Fontshare. [JH]


Observed | March 22

Disney now qualifies its classical film library with “advisory” disclaimers that seek to recognize (and name) racial bias and othering. [JH]


Observed | March 19

Brilliant! (via Shaun Borstrock) [JH]

Color correction and its relationship to racial bias. (Via Dori Tunstall.) [JH]


Observed | March 18

A brutally honest perspective on the current—and precarious—state of design culture with Design Observer’s co-founder Jessica Helfand. [BV]


Observed | March 17

Everything you ever wanted to know about faces on currency. [JH]


Observed | March 15

Bravo and congratulations to Lawrence Azerrad for his latest Grammy win for the album packaging of for Wilco’s “Ode to Joy” [BV]


Observed | March 10

Yohokama-based Masayoshi Matsumoto is a balloon genius. [JH]


Observed | March 05

The Center for Urban Pedagogy now has a program in Public Access Design. Meet their newest design fellows here. [JH]


Observed | March 04

On the brink of nuclear war, America’s bold response to the Soviet Union depended on Juanita Moody, an unknown spy agency operative, whose story can at last be told. [BV]


Observed | March 03

For his piece Quantum Fluctuations: Experiments in Flux, London-based artist Markos R Kay set out to visually express a quantum interaction – a phenomenon that’s notoriously unobservable. [BV]


Observed | March 02

The beautiful, origami-like art of letterlocking. [JH]


Observed | March 01

See what other people are reading—quite literally. [JH]



Jobs | April 15