Alexandra Lange is an architecture and design critic, and author of Writing about Architecture: Mastering the Language of Buildings and Cities. (Princeton Architectural Press, 2012). Her work has appeared in The Architect’s Newspaper, Architectural Record, Dwell, Metropolis, Print, New York Magazine and The New York Times.


































































03.26.12
‘Deco Japan’ + Designing Women
The Japan Society's new exhibition
"Deco Japan: Shaping Art and Culture, 1920-1945" displays the surprising globalism of this little-known period in Japanese design, when pent-up post-1923-earthquake desires for new goods and new traditions met up with a new openness to Western arts and the rise of industrialization




































































































09.28.10
Yummy!
I thoroughly enjoyed the exhibition
Appetite, curated by Alexander Tochilovsky at the Herb Lubalin Center at Cooper Union, not least because it was bite-sized.




09.26.10
Masdar: So Many Questions
I was not planning to post anything about 
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.




09.24.10
Rendering v. Reality in Sukkah City
I was not planning to post anything about
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.











09.08.10
In Dwell: Hands Off the Icons
In the 
October 2010 issue of Dwell, which celebrates the magazine’s tenth anniversary by revisiting its own (generally happy) homeowners, I offer the following Argument.




09.07.10
Coming to the V&A: Tower of Power
It is not often that 
a museum blogs about Postmodernism, Michael Sorkin (one of the great take-downs) and credits the (female) renderer who made the AT&T Building look the best it ever has.





08.30.10
Lunch with the Critics: Park51 and 15 Penn Plaza
In my 
second critical lunch with Mark Lamster, in the creepy climes of the Hotel Pennsylvania, we discuss the urbanism, politics and skyline posturing of Park51 and 15 Penn Plaza.

















07.27.10
On DO: Lunch with the Critics
Please weigh in on 
Mark Lamster and my new Design Observer feature, "Lunch with the Critics," in which we observe the new Lincoln Center.








07.20.10
Culture Shed: Where’s the Neighborhood?
CultureGrrl 
offers a critique of the NEA grant for Culture Shed, the Diller Scofidio + Renfro and Rockwell Group design for a Kunsthalle with retractable roofs over at Hudson Yards.





07.18.10
Hung Ceilings
Mad Men returns, and now it's time to speculate on the evolution of Peggy’s hair and the meaning of Betty’s dress choices




07.13.10
Time to Move On
A very nice 
house in Montauk embodies the most recent cliches in architecture: floating staircases, pocket doors, and glass floors.







07.06.10
Below Black Rock
While the plaza around the 
CBS Building in Manhattan has always seemed perverse, it is now made worse with the addition of a bank.




07.02.10
The Personality of Parks
Until Pier 6 at 
Brooklyn Bridge Park opened, my only experience of parks as a parent had been of neighborhood parks










06.17.10
Diana Center & Architectural Bull----
Though rave reviews (
Architect, Metropolis, previously New York) are rolling in for Weiss/Manfredi’s Diana Center at Barnard College, every review has praised two things that I quickly dismissed as the most basic architectural bullshit: the copper glass and the street-level transparency.







06.11.10
Op Art Eye Candy
I’m lucky that I get to live with a
Julian Stanczak painting, bought by my father-in-law in 1968, when Op Art was really something.




06.10.10
Pomo Time Machine
I’m writing more about
Warren Platner, my favorite terribly wonderful or wonderfully terrible architect.








06.02.10
Bloggers in the Archive
Geoff Manaugh’s announcement, on
BLDGBLOG, that he would be blogging from the CCA this summer irritated me, partly because the idea is not brand new.




05.27.10
The Plastics
This month’s
Vogue, which had several enraging features, is not yet fully online except for Blake Lively, bathing suits, clear plastic.






05.21.10
The Anti-Enthusiasts
Design Blogs: The Vacuum of Enthusiasm, my Design Observer manifesto on what the world of design on the internet needs, lives on in the comments.








05.14.10
It Was All Yellow
In 
Buying In, author Rob Walker avoids talking about the aesthetics of the Livestrong bracelet.




05.12.10
In Metropolis: The Visceralist
I spent a day and a half with
Peter Bohlin in deepest Pennsylvania and New York State, and was very impressed with his house projects and attitude toward design.






05.07.10
On Archpaper: Saccharine Design
My review of
Marcel Wanders’ exhibition Daydreams at the Philadelphia Museum of Art for The Architect’s Newspaper just went online and let’s just say I was not impressed.








05.02.10
What I Learned @dcritconference
The
D-Crit Conference is just a memory, so as a tribute to the afternoon presentations I saw, I offer a set of tangents.













04.15.10
All in the Execution
Ian Baldwin's review of The Grid Book calls out the coffee-table book format and it's middlebrow achievements.










04.03.10
Has the High Line Ruined Us?
I went to
Brooklyn Bridge Park on opening day in the pouring rain with stroller.






03.31.10
Moynihan on Design
At
tonight’s lecture at D-Crit, Casey Jones, director of design excellence and the arts for the U.S. General Services Administration, quoted from Daniel Patrick Moynihan’s Guiding Principles for Federal Architecture, written in 1962.




03.30.10
Texts Without Context
I keep thinking about Michiko Kakutani’s piece,
Texts Without Context, that begins the discussion of what is being lost to culture by the supremacy of the web.












03.16.10
Things of Beauty
Saul Bass matchbook covers are about the most beautiful things I have seen in some time.








03.08.10
Not A Learning Experience
The Privileges finally gives a real satire of almost-present day New York City, in which money is discussed and no one has to learn their lesson.






03.03.10
The (Architectural) Anthologist
After some digressions weird and
wonderful, the Nicholson Baker I loved from The Mezzanine and U and I and Room Temperature seems to be back, cranky and at sea and procrastinating.















02.03.10
In AN 02: As the Tide Turns
In MoMA’s 
Rising Currents exhibition, certain tropes of contemporary waterfront design immediately surfaced.

















01.13.10
The Yuck Factor
Watch
District 9 as a palate cleanser after the visual feast of Avatar.






01.07.10
On DO: Skating on the Edge of Taste
The American Restaurant in Kansas City, designed by Warren Platner, is subject of a long essay on that architect and interior designer’s career.




01.06.10
I Heart Huxtable
Ada Louise Huxtable is still the most knowledgeable, elegant, thoughtful critic out there.







12.31.09
Last Post of 2009: Interview, Casey Jones
I interviewed the GSA’s newish head of Design Excellence,
Casey Jones, earlier this month about the future of this government program to ensure better architecture for government buildings






12.21.09
Exciting Multi-Generational Moment
An essay and slideshow on the
design of James Joyce’s Ulysses by my mother, Martha Scotford, appears on Design Observer, where I was recently made a contributing writer.






















11.22.09
Another New York
Every time I get an issue of
New York Magazine lately I ask myself: is Adam Moss turning it into a men’s magazine?



















10.24.09
Petting Zoo
On Thursday I took my class on a field trip to
One Bryant Park, the sustainable skyscraper that is almost complete at the northwest corner of 42nd Street and Sixth Avenue.























































































Observed | April 14

Everything you need to know about what’s happening in type today, from Monotype. [BV]

A collection of hand-lettered Marvel Comics titles, curated by Reagan Ray. (via James I. Bowie) [BV]


Observed | April 13

Plagiarism? Target? Discuss! [JH]

When good design makes bad cities—and how it can make them safer for women. [JH]


Observed | April 12

Behold: the cyborg—sorry, fashion mask. [JH]


Observed | April 08

The Huntington Library has a history of inequity. Can it pivot toward inclusivity? (via Blake Eskin) [BV]


Observed | April 07

Memory as inventory: a beautiful tribute in the New York Times. [JH]


Observed | April 06

Overlooked no more: The IBM Poster Program: Visual Memoranda features work by Ken White, John Anderson, Tom Bluhm and photographer Rodger Ewy among others like, um, Paul Rand. [JH]


Observed | April 05

Blending is the new branding. (Blend = Brand ± Transparency ± Framing ± Bespoke ± Blur) [BE]


Observed | April 01

Harvard’s GSD Introduces its own design imprint. [JH]

Voices: Black Graphic Design History is a free two-part webinar series through the four MICA William O. Steinmetz ’50 Designers-in-Residence. To register click here and here. [BV]


Observed | March 31

Designing with the devil. [JH]


Observed | March 29

“Professional designers, evangelists — they all took the opportunity: ridiculing, discrediting, alienating, exposing clean styles and templates, usurping the right to make design decisions.
And they succeeded...” (h/t Ethical Futures Lab) [BE]


Observed | March 26

Brand mascots, cruelty, and humiliation: the Duolingo owl and theory of change. [BE]

When less is more. [JH]


Observed | March 25

Annals of design absurdity: Zara models feature poses that make the clothes impossible to figure out. [JH]


Observed | March 24

As representations of the collective power of local people banding together, the exhibit Meeting Hall Maine aims to instill an appreciation and desire in others to preserve vernacular structures as democratic forums for generations to come. [BV]


Observed | March 23

In an effort to provide more fonts accessible to everyone, the Indian Type Foundry introduces Fontshare. [JH]


Observed | March 22

Disney now qualifies its classical film library with “advisory” disclaimers that seek to recognize (and name) racial bias and othering. [JH]


Observed | March 19

Brilliant! (via Shaun Borstrock) [JH]

Color correction and its relationship to racial bias. (Via Dori Tunstall.) [JH]


Observed | March 18

A brutally honest perspective on the current—and precarious—state of design culture with Design Observer’s co-founder Jessica Helfand. [BV]


Observed | March 17

Everything you ever wanted to know about faces on currency. [JH]


Observed | March 15

Bravo and congratulations to Lawrence Azerrad for his latest Grammy win for the album packaging of for Wilco’s “Ode to Joy” [BV]


Observed | March 10

Yohokama-based Masayoshi Matsumoto is a balloon genius. [JH]


Observed | March 05

The Center for Urban Pedagogy now has a program in Public Access Design. Meet their newest design fellows here. [JH]


Observed | March 04

On the brink of nuclear war, America’s bold response to the Soviet Union depended on Juanita Moody, an unknown spy agency operative, whose story can at last be told. [BV]


Observed | March 03

For his piece Quantum Fluctuations: Experiments in Flux, London-based artist Markos R Kay set out to visually express a quantum interaction – a phenomenon that’s notoriously unobservable. [BV]


Observed | March 02

The beautiful, origami-like art of letterlocking. [JH]


Observed | March 01

See what other people are reading—quite literally. [JH]



Jobs | April 15